BROCKY, Károly - b. 1807 Temesvár, d. 1855 London - WGA

BROCKY, Károly

(b. 1807 Temesvár, d. 1855 London)

Hungarian painter, active in England. After his studies at the Art Academy in Vienna, he went to Italy in 1835, and to Paris in 1837, where he improved his art mostly by copying old pictures of the Louvre. He settled down in London in 1838, and he soon received orders from the Court. Besides portraits of Queen Victoria, Prince Albert, etc. he painted mythological pictures under the influence of Italian masters of the Renaissaince. His nudes and portraits of women full of life make his art attractive. The eclectic altarpiece, Christ and the Woman from Samaria, strongly reflecting the influence of Renaissance masters of Rome, was presented to the Lutheran church of Eperjes, but it burnt down in 1913. His works: Poverty, Woman in Yellow Clothes, Sleeping Bacchante, Woman in Black Clothes, Amor and Psyche, and Resting Psyche (Hungarian National Gallery)

Ceres and Triptolemos
Ceres and Triptolemos by

Ceres and Triptolemos

In Greek mythology, Triptolemus was the son of Celeus, king of Attica. He was born at Eleusis in Attica, and was cured in his youth of a severe illness by the care of Ceres, who had been invited into the house of Celeus, as she traveled over the country in quest of her daughter. Ceres instructed Triptolemus how to sow corn and make bread.

Does He Love Me?
Does He Love Me? by

Does He Love Me?

Brocky had a great interest in past artistic tradition as proven by this genre picture. It quotes suggestively the painting manner of the Dutch painters of the 17th century. It is almost like a companion piece of Gerard Terborch’ Woman Playing Lute (Gemäldegalerie, Kassel).

Lucy Ashton and Ravenswood Visiting Blind Alice
Lucy Ashton and Ravenswood Visiting Blind Alice by

Lucy Ashton and Ravenswood Visiting Blind Alice

In the 1840s Brocky painted mainly portraits of women and children and scenes from the novels of Walter Scott. This painting depicts a scene from Walter Scott’s novel, The Bride of Lammermoor. The libretto of Gaetano Donizetti’s well-known opera was based on this novel.

Suggested listening (streaming mp3, 4 minutes):

Gaetano Donizetti: Lucia di Lammermoor, Act II, Sextet

Mother and Child
Mother and Child by

Mother and Child

Like many others painted in this period, this painting reflects the influences of the artist’s journey to Italy.

Portrait of a Woman with Veil
Portrait of a Woman with Veil by

Portrait of a Woman with Veil

In the 1840s Brocky painted mainly portraits of women and children and scenes from the novels of Walter Scott.

Self-Portrait
Self-Portrait by

Self-Portrait

This painting is one of the two surviving self-portraits from the last years of the artist. The self-portrait in red garment is a masterpiece in the series of 19th-century self-portraits.

Suggested listening (streaming mp3, 3 minutes):

Johannes Brahms: Hungarian Dance No 6

Sleeping Bacchante
Sleeping Bacchante by

Sleeping Bacchante

In the last period of his life the artist was interested in the representation of nudes within a mythological scene. These mythological compositions and half-nudes are the best pieces among the paintings created in his last five years.

The Daughters of István Medgyasszay
The Daughters of István Medgyasszay by

The Daughters of István Medgyasszay

Istv�n Medgyasszay, a merchant, and his family became the friend of the artist during his years in Vienna. He painted many portraits of the family members, especially those of the children.

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