DENIS, Simon-Joseph-Alexandre-Clément - b. 1755 Antwerpen, d. 1812 Roma - WGA

DENIS, Simon-Joseph-Alexandre-Clément

(b. 1755 Antwerpen, d. 1812 Roma)

Flemish painter, regarded as an early practitioner of plein-air painting. He was trained in his native city of Antwerp, and moved to Paris in the 1770s. About ten years later he relocated to Rome, where he spent the majority of his career. Although Denis was not an official student of French landscape painter Pierre-Henri de Valenciennes, he followed the elder and more famous artist’s example. Denis’s cloud studies probably predate Valenciennes’ influential 1800 treatise on landscape, which emphasized direct observation from nature. Both men were among the first to produce oil-on-paper sketches outdoors, a practice that became increasingly popular in the 1800s.

Denis was closely associated with the French picture dealer Jean-Baptiste Lebrun, as well as his more famous wife, the painter Elisabeth Vigée-Lebrun, with whom he spent time in Italy. He also enjoyed a close relationship with the head of the French academy in Rome. Denis’s landscape practice consisted of painted and drawn studies from nature, as well as more highly finished landscape paintings. His sketches, like those of other landscape artists of his time, are more dynamic than his finished works.

View of Monticelli, near Tivoli
View of Monticelli, near Tivoli by

View of Monticelli, near Tivoli

Settled in Rome, Denis made studies of the landscape surrounding the city. He painted outdoors in all seasons, carefully studying and documenting the effects of light in various weather conditions. The present painting is described in an inscription on the reverse: “Le temps qui s’eclairci, peu à peu, apr�s l’orage” (“The weather clears, little by little, after the storm”).

View of the Cascades at Tivoli
View of the Cascades at Tivoli by

View of the Cascades at Tivoli

This view of the waterfall at Tivoli was almost certainly taken from the viewpoint of the Ponte San Rocco, looking across the torrent towards Tivoli in the distance. Denis has enlivened the scene with various figures: a group of tourists on a rock below, a fisherman hauling his net at right, and an artist, his easel set up on a rock in the left foreground, in the act of sketching the falls.

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