FALGUIÈRE, Jean Alexandre Joseph

Tarcisius was a Roman boy, an acolyte in an early Christian church, who was attacked by jeering pagans on the Appian Way as he carried the eucharistic bread from the catacombs to condemned prisoners in the city. He chose to die rather than surrender the host to unbelievers.

The plaster version of this statue was exhibited at the Salon of 1867, after Falgui�re’s return from Italy, where he studied at the Acad�mie de France in Rome. During his stay in Rome, when he may have conceived the subject, he obviously saw the famous Baroque sculpture by Stefano Maderno of another early Christian martyr, St Cecilia (Santa Cecilia in Trastevere, Rome). By repute, the statue depicts the saint lying in the same position as her body was when it was discovered, and the poignant simplicity of the marble rendering of its subject was an example a nineteenth-century sculptor could not ignore.

The first version of the statue (Mus�e d’Orsay, Paris) was commissioned by the state, and it won the medal of honour at the Salon of 1868. The second version with small modifications (now in the Metropolitan Museum of Art, New York) was kept by the sculptor for himself.

Falgui�re sent this statue to the Paris Salon of 1864 from Rome, where he was staying after becoming the 1859 winner of the Prix de Rome. It made his reputation as a sculptor.

His victory in a cockfight prompts a naked young boy, proudly carrying his cockerel on his arm, to jump in the air with delight. This element of physical movement illustrates the sculptor’s fondness for expansive gestures.