GONZALÈS, Eva - b. 1849 Paris, d. 1883 Paris - WGA

GONZALÈS, Eva

(b. 1849 Paris, d. 1883 Paris)

French painter. In 1865, she began her professional training and took lessons in drawing from the society portraitist Charles Chaplin. Gonzalès became a pupil of the artist Édouard Manet in 1869. Manet is said to have begun a portrait of her at once which was completed in 1870 and exhibited at The Salon in that year. Like her teacher, Édouard Manet, she never exhibited with the Impressionist painters in their controversial exhibitions in Paris, but she is considered part of the group because of her painting style. She was Manet’s only formal student and modeled frequently for several members of the Impressionist school. Until 1872, she was strongly influenced by Manet but later developed her own, more personal style.

She married Henri Guérard, brother of the graphic artist Henri Guérard, and used him and her sister Jeanne Gonzalès as the subjects for many of her paintings. Her career was cut short when she died in childbirth at the age of thirty-four, six days after the death of her teacher, Manet.

A Loge at the Théâtre des Italiens
A Loge at the Théâtre des Italiens by

A Loge at the Théâtre des Italiens

Manet’s pupil, Eva Gonzal�s has had little success with art lovers and critics to this day. Her modest output is uneven - though the same can be said of her more famous fellows. Her concepts and techniques were decisively influenced by Manet, whom she greatly admired. A Loge at the Th�âtre des Italiens - probably rejected by the 1874 Salon and not accepted till 1879 - suffers if compared with Renoir’s painting of the same subject, in terms of composition, colouring, and the warm, insinuating magic of the model.. Nor does it have the elusive expressiveness of Manet’s figural groups. The dry energy of its structure, though, perhaps appeals more to the tastes of an era after Impressionism than it did to contemporaries.

A Loge at the Théâtre des Italiens (detail)
A Loge at the Théâtre des Italiens (detail) by

A Loge at the Théâtre des Italiens (detail)

Morning Awakening
Morning Awakening by

Morning Awakening

Manet’s pupil, Eva Gonzal�s has had little success with art lovers and critics to this day. Her modest output is uneven - though the same can be said of her more famous fellows. Her concepts and techniques were decisively influenced by Manet, whom she greatly admired. However, the spontaneity with which the present painting has been seen and caught, and the sheer poetry of its sensibility, are superbly in line with Impressionism as Manet understood it at the time.

The Milliner
The Milliner by

The Milliner

This little study of a milliner has a distinct charm, and its psychological expressiveness is not unlike what Degas could achieve.

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