QUESNEL, François - b. 1543 Edinburgh, d. 1619 Paris - WGA

QUESNEL, François

(b. 1543 Edinburgh, d. 1619 Paris)

French painter and designer. He was the son of Pierre Quesnel (d. ca. 1574), a French painter in the service of James V of Scotland. His brothers, Nicolas Quesnel (d. 1632) and Jacques Quesnel (d. 1629), and his son, Augustin Quesnel (1595-1661), were also painters.

Documentary sources reveal that François was active in France as a decorator, designer of tapestries, coins and medals, as a map-maker and as a painter of altarpieces, but above all as a portrait painter. A number of portrait drawings have been attributed to Quesnel on the basis of a signed Portrait of a Child (private collection). A painted portrait of Mary Anne Waltham (1572; Althorp House, Northamptonshire) signed with a monogram is the basis for the attribution of portraits such as that of Henry III (Musée du Louvre, Paris). His style is typical of late 16th-century French portraiture, in which the naturalism of François Clouet was stylised to such a degree that there is an almost complete absence of modelling and the picture is dominated by flat, linear pattern. Several of Quesnel’s works were engraved by Isaac Briot (1585-1670) and Thomas de Leu (c. 1555-c. 1612).

Henri III, King of France
Henri III, King of France by

Henri III, King of France

Henri III was the third son of Henri II and Catherine de M�dicis. Initially duc d’Anjou and then, in 1573, elected king of Poland, he succeeded his brother Charles IX in 1574. He is wearing the blue ribbon of the Order of the Saint-Esprit, which he instituted in 1578.

Henri III, King of France
Henri III, King of France by

Henri III, King of France

Henri III was the third son of Henri II and Catherine de M�dicis. Initially duc d’Anjou and then, in 1573, elected king of Poland, he succeeded his brother Charles IX in 1574. He is wearing the blue ribbon of the Order of the Saint-Esprit, which he instituted in 1578.

Mary Ann Waltham
Mary Ann Waltham by

Mary Ann Waltham

Mary Ann Waltham was Lady in waiting to Mary Queen of Scots. Her portrait, signed with the initials of Fran�ois Quesnel, is typical of the last phase of French sixteenth-century portraiture, when the naturalism of Fran�ois Clouet has been stylised so that the modelling almost disappears and the portrait is dominated by the flat linear pattern.

Portrait of Jeanne de Bourdeille
Portrait of Jeanne de Bourdeille by

Portrait of Jeanne de Bourdeille

The portrait reprsents Jeanne de Bourdeille (d. 1596), with one of her daughters holding a miniature of her late husband Antoine de Beaupoil de Sainte-Aulaire, S�n�chal de Perigord (c. 1560-1593).

Portrait of a Bearded Man
Portrait of a Bearded Man by

Portrait of a Bearded Man

This portrait depicts a bearded man in a three-quarter pose, with his head slightly turned to the left, gazing towards the viewer. The drawing is one of a set of eleven portraits of unidentified sitters (two male, nine female) at Windsor in the style established by Jean Clouet, and familiar from hundreds of surviving portraits by his French followers.

Portrait of a Lady in a Black Robe.
Portrait of a Lady in a Black Robe. by

Portrait of a Lady in a Black Robe.

Young Man with a Beard
Young Man with a Beard by

Young Man with a Beard

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