SOROLLA Y BASTIDA, Joaquín - b. 1863 Valencia, d. 1923 Cercedilla - WGA

SOROLLA Y BASTIDA, Joaquín

(b. 1863 Valencia, d. 1923 Cercedilla)

Spanish painter, noted for his large landscapes in full, glowing sunlight, painted in strong colour and in a bold, fluent style.

Sorolla studied at the Trades and Handicrafts School in Valencia and later at the San Carlos Fine Arts Academy of that city. During his student days, he met the photographer Antonio García, who later became his supporter. In 1888, he married García’s daughter, Clotilde, who bore him three children between 1889 and 1895.

In 1884 he received a scholarship from the Valencian authorities to study in Italy, where he lived from 1885 to 1889. In 1890, Sorolla settled in Madrid. Over the course of the following decade he worked hard to establish a name for himself, participating in numerous national and international exhibitions. In 1900, he won a medal of honour at the Paris World Fair. From 1905 the artist began to plan a series of major individual exhibitions, supported by leading dealers and galleries. The first took place in 1906 in Paris at the Galerie Georges Petit, and Sorolla became famous in Paris and as a consequence throughout Europe.

Between 1909 and 1911, he was in the United States, where he showed his works in several cities. These presentations were supported by the Hispanic enthusiast and collector, Archer M. Huntington, who became Sorolla’s main champion in America, commissioning him to decorate the Hispanic Society’s library in New York with scenes of the different regions of Spain. In order to carry out the commission as accurately as possible, Sorolla travelled tirelessly through Spain, an undertaking that badly undermined his health and he suffered a stroke in 1920, which left him incapable of working. He died three years later.

Boys on the beach
Boys on the beach by

Boys on the beach

Since Sorolla always sought to transmit the effects of sunlight in his work and achieved it with ease, he has been considered “impressionist” or “post-impressionist”. However, he refused to be called that. Although he painted the moment that came to his eyes, he maintained a realism that turned out to be of a very personal style. He is also classified as a “luminist.” It is a term that can be seen rightly applied to the famous painter of light.

Eating on the Boat
Eating on the Boat by

Eating on the Boat

Eating on the Boat (detail)
Eating on the Boat (detail) by

Eating on the Boat (detail)

Elena and Maria in Old-Fashioned Valencian Costume
Elena and Maria in Old-Fashioned Valencian Costume by

Elena and Maria in Old-Fashioned Valencian Costume

Kissing the Relic
Kissing the Relic by

Kissing the Relic

Sorolla’s career was confirmed in Madrid, where he settled in 1890. Kissing the Relic belongs to a period in which his own personal style was beginning to evolve, bringing together his past experience and achieving notable successes. During this period Sorolla based his compositions on his skill as a draughtsman, and on his meticulous descriptions and wise use of light and colour in genre scenes (some of them anecdotal) according to bourgeois taste. In this work a procession of faithful is reverently awaiting to kiss the relic held by the parish priest in a side chapel of the San Pablo church in Valencia. This act of veneration marks the end of the mass and is the opportunity taken by an altar boy to sell religious pictures - the scene is therefore a fine example of genre painting.

Portrait of Alfonso XIII in the Uniform of a Hussar
Portrait of Alfonso XIII in the Uniform of a Hussar by

Portrait of Alfonso XIII in the Uniform of a Hussar

Alfonso XIII, (1886-1941), was a Spanish king (1902-31) who by authorizing a military dictatorship hastened his own deposition by advocates of the Second Republic.

Portrait of Aureliano Beruete the Elder
Portrait of Aureliano Beruete the Elder by

Portrait of Aureliano Beruete the Elder

Sorolla made portraits of the painter, Aureliano de Beruete, on several occasions. The sitter’s seated position, turned almost in profile, is customary in many of Sorolla’s portraits. The companion piece of the painting represents the portrait of Beruete’s wife.

Portrait of the Wife of Aureliano Beruete the Elder
Portrait of the Wife of Aureliano Beruete the Elder by

Portrait of the Wife of Aureliano Beruete the Elder

This is the companion piece of the portrait of the Spanish painter Aureliano Beruete. It represents the artist’s wife, Mar�a Teresa Moret y Remisa.

Return from Fishing
Return from Fishing by

Return from Fishing

Selling the Catch at Valencia
Selling the Catch at Valencia by

Selling the Catch at Valencia

The dramatic immediacy of the present painting derives from the gradation of its harmonious palette and the broad, solid forms established by its brushwork. In this picture Sorolla captured both the strong light of the south and the everyday life of Spanish fishing folk.

The Beach at Valencia
The Beach at Valencia by

The Beach at Valencia

Sorolla’s approach to light and colour was rooted in the idiosyncratic Valencian school. Valencian art was notable for its efforts to capture the brief, passing moment by using rapid, unbroken brush-strokes and precision colourism. The vivid plein-air scenes, mainly Mediterranean, that the artists recorded in this style nonetheless preserved tonal unities, and might be better described as luminist than Impressionist.

Sorolla arrived at plein-air painting via years as apprentice and journeyman in Valencia, Rome and Paris. Returning to Spain in 1889, he settled in Madrid, where his art began to undergo a stylistic transformation: he attached greater importance to changing conditions of light, and preferred scenes of Spanish folk life, especially in Mediterranean coastal areas. The Beach at Valencia is a good example of this kind of work.

Waiting for the Catch, Valencia Beach
Waiting for the Catch, Valencia Beach by

Waiting for the Catch, Valencia Beach

Sorolla’s enthusiasm for painting en plein air on the Valencian Beaches is well documented. Here he paints one of his famous beach scenes with vigorous, staccato brush strokes. Though brightly coloured, the small figures on the beach in the foreground are dominated by the vast sea and endless sky.

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