SUVÉE, Joseph-Benoit - b. 1743 Brugge, d. 1807 Roma - WGA

SUVÉE, Joseph-Benoit

(b. 1743 Brugge, d. 1807 Roma)

Flemish painter from Bruges. He was always referred to by Jacques-Louis David as ‘l’ignare Suvée’, and was, like David, a pupil of Vien, and David’s lifelong rival for the leadership of Neoclassicism in France. He came from Bruges to Paris and won the Prix de Rome against David in 1771, spending a year at the École des Élèves protégés, and then going to Rome 1772-78, after which he returned to Paris and became Agréé (1779) and Member of the Academy (1780) and Painter to the King. He returned to Rome as Director of the French Academy there, in 1792, but lost his job when David became dictator of the arts. He was imprisoned (like David) under the Terror. 1794-95, but was reappointed to Rome by Napoleon in 1801 and remained there until his death. His works are now largely forgotten, but there are several in Bruges and others in French provincial museums, including Besançon and Lille.

Invention of the Art of Drawing
Invention of the Art of Drawing by

Invention of the Art of Drawing

A number of Bruges painters earned international renown during the neoclassical period, forming what might justly be called a Bruges school of Neoclassicism. Joseph B. Suv�e even won the Prix de Rome, beating Jacques-Louis David into second place. He later became a member of the Acad�mie Royale de Peinture et de Sculpture in Paris and director of the Acad�mie de France in Rome. It was largely thanks to his efforts as a teacher in Paris and Rome that a succession of former pupils of the Bruges Academy were able to embark on international careers.

In the painting traditionally titled The invention of the Art of Drawing, Suv�e tells the well-known story of the daughter of the Greek potter Butades, who draws the shadow silhouette of her lover. This rational, balanced composition can be seen as a symbolic illustration of the Platonic aesthetic theory that underpinned classical art - art as shade of reality.

Milo of Croton
Milo of Croton by

Milo of Croton

Milo (or Milon) of Croton was a legendary Greek wrestler from the Greek settlement of Croton in southern Italy. He won the wrestling contest at five successive Olympic Games, and swept the board at all other festivals. A man of huge stature, he boasted that no one had ever brought him to his knees. It is said that he carried a live ox upon his shoulders through the stadium at Olympia, then ate it all in a single day. Tradition has it that in his old age, on seeing an oak tree partly split open with a wedge he tried to wrench it apart, but only succeeded in causing the wedge to fall out, thereby trapping his hands. He was left a helpless prey to the wild beast who soon finished him off. He is usually depicted in Baroque art as a partly naked muscular figure, his hands imprisoned by a tree trunk, and attacked by a lion.

The undated, but still baroque Milo of Croton shows the Greek athlete being devoured by wolves, his hand caught in a cleft tree trunk. Milon’s pose was borrowed from the famous Hellenistic statue of Laoco�n. It is an early work and a copy after the Frenchman Jean Jacques Bachelier.

You can view other depictions of Milo of Croton in the Web Gallery of Art.

The Combat of Mars and Minerva
The Combat of Mars and Minerva by

The Combat of Mars and Minerva

In 1771 Suv�e’s The Combat of Mars and Minerva was the first-prize winner in the competition for the Prix de Rome. Jacques-Louis David came second with his painting of the same subject. Suv�e’s painting was more balanced and elegant than David’s unconvincing effort.

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