ALESSI, Galeazzo - b. 1512 Perugia, d. 1572 Perugia - WGA

ALESSI, Galeazzo

(b. 1512 Perugia, d. 1572 Perugia)

Italian architect. He studied drawing for civil and military architecture under the direction of Giovanni Battista Caporali. He became the leading mid-sixteenth-century architect in Genoa and Milan.

His first important building was Santa Maria Assunta in Carignano, Genoa, clearly based on Bramante’s scheme for San Pietro in Rome. His domestic architecture, especially the Villa Cambiaso of 1548, has elements derived from the Palazzo Farnese in Rome. In Genoa he was involved in the lay-out of the streets and the restoration of the city walls, as well as being responsible for many of its impressive palazzi. In 1550 the Doge of Genoa ordered the construction of the Strada Nuova, which was laid out by Alessi, and lined with palaces: it was the first planned street of independent blocks of the period, each designed by a different architect, but with an overall control of certain architectural features, heights, and scale to ensure a degree of harmony. These palaces became internationally known after the publication of Rubens’s Palazzi di Genova.

He was active in other Italian cities, including in Ferrara, Bologna, Naples and Milan. His enormous Palazzo Marino (1557) in Milan was richly treated on its elevations, and its cortile was a fine example of Mannerist decoration. His Churches of Santi Barnaba e Paolo (1561) and Santa Maria presso San Celso (1568), both in Milan, deserve note, the former for the distinct divisions between nave, presbytery, and choir, and the latter for its size and decorations, completed by Martino Bassi after Alessi’s death.

Alessi designed churches and palaces also in France, Germany and Flanders. He produced designs for El Escorial in Spain, but age and health prevented him from carrying them out.

Aerial view
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Aerial view

Galeazzo Alessi was the leading High Renaissance architect in both Genoa and Milan, his villas and town palazzi establishing a definitive pattern for the genre. His greatest sacred building was Santa Maria Assunta in Carignano, the central planning of which shows the influence of Donato Bramante and Michelangelo.

The contract between Alessi and members of the Sauli family for the construction of Santa Maria Assunta in Carignano dates from September 1549, but the foundation stone was laid only in 1552, the wooden model was constructed between 1552 and 1554, and by 1567 it had reached the stage of vaulting; only then was thought given to the dome, with probable variations made to the original model. The church was completed in 1603.

The model for the Sauli church was clearly derived from Bramante’s work in Rome. The plan of the building is centralized, consisting of a Greek cross set within a square, with a central dome and smaller domes over the arms of the cross and four bell-towers emphasizing the corners of the square. Deriving from the same Roman background are the powerful, solid pillars and the coffered vaults, where the contrast of light and shade is brought out by the white plaster walls.

The fa�ade, with its alternating areas of white and pink, achieves a remarkable clarity of composition, both defining and emphasizing the structural elements without detracting from the ample, interlinking areas of wall surface that surround the dome.

View the ground plan and section of the church.

Façade
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Façade

The villa, built on the slopes of the Albaro hill, was commissioned in the summer of 1548 by the aristocratic Luca Giustiniani to architect Galeazzo Alessi from Perugia. The architect designed the building as a compact block, apparently disconnected from the garden surrounding it, which once extended to the sea but today is divided into various public parks. The style developed by Alessi for this building became a model and a source of inspiration for several other noble villas in Genoa.

The ancient residence remained property of the Giustiniani family until 1787 when it passed to the Cambiaso family. The villa became property of the Municipality of Genoa in 1921 and is today the seat of the Faculty of Engineering of the University of Genoa.

Interior of the loggia
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Interior of the loggia

The villa, built on the slopes of the Albaro hill, was commissioned in the summer of 1548 by the aristocratic Luca Giustiniani to architect Galeazzo Alessi from Perugia. The architect designed the building as a compact block, apparently disconnected from the garden surrounding it, which once extended to the sea but today is divided into various public parks. The style developed by Alessi for this building became a model and a source of inspiration for several other noble villas in Genoa.

The ancient residence remained property of the Giustiniani family until 1787 when it passed to the Cambiaso family. The villa became property of the Municipality of Genoa in 1921 and is today the seat of the Faculty of Engineering of the University of Genoa.

Interior view
Interior view by

Interior view

The contract between Alessi and members of the Sauli family for the construction of Santa Maria Assunta in Carignano dates from September 1549, but the foundation stone was laid only in 1552, the wooden model was constructed between 1552 and 1554, and by 1567 it had reached the stage of vaulting; only then was thought given to the dome, with probable variations made to the original model. The church was completed in 1603.

The model for the Sauli church was clearly derived from Bramante’s work in Rome. The plan of the building is centralized, consisting of a Greek cross set within a square, with a central dome and smaller domes over the arms of the cross and four bell-towers emphasizing the corners of the square. Deriving from the same Roman background are the powerful, solid pillars and the coffered vaults, where the contrast of light and shade is brought out by the white plaster walls.

View the ground plan of the church.

Interior view
Interior view by

Interior view

The model for the church was clearly derived from Bramante’s work in Rome. The plan of the building is centralized, consisting of a Greek cross set within a square, with a central dome and smaller domes over the arms of the cross and four bell-towers emphasizing the corners of the square. Deriving from the same Roman background are the powerful, solid pillars and the coffered vaults, where the contrast of light and shade is brought out by the white plaster walls.

The photo shows the interior of the central dome.

Interior view
Interior view by

Interior view

The model for the church was clearly derived from Bramante’s work in Rome. The plan of the building is centralized, consisting of a Greek cross set within a square, with a central dome and smaller domes over the arms of the cross and four bell-towers emphasizing the corners of the square. Deriving from the same Roman background are the powerful, solid pillars and the coffered vaults, where the contrast of light and shade is brought out by the white plaster walls.

The photo shows the interior of the central dome.

View of the façade
View of the façade by

View of the façade

The church of Santa Maria Assunta di Carignano in Genoa is a large Renaissance church built according to the plans of Galeazzo Alessi. Begun in 1552, it is capped by a high central dome and by four smaller domes. The fa�ade is flanked by two bell towers. The interior, which is in the form of a Greek cross, contains altarpieces by painters of the 16th and 17th centuries. There are large Baroque statues in the niches.

View the ground plan of the church.

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