ANTONELLI, Alessandro - b. 1798 Ghemme, d. 1788 Maggiora - WGA

ANTONELLI, Alessandro

(b. 1798 Ghemme, d. 1788 Maggiora)

Italian architect. His most famous works are the Mole Antonelliana in Turin (named for him) and in Novara the Cathedral and the Basilica of San Gaudenzio.

He studied in Milan and Turin, and for years he worked in the state territorial planning offices. After winning an architecture contest in the Accademia Albertina, he moved to Rome in 1828, where he studied descriptive geometry.

He elaborated a functional ideal of architecture, which inspired him with an ambitious plan of renovation of Turin’s historical centre. When he returned there in 1836 (remaining until 1857), he became professor of the Albertina Academy. He was also deputy in the Kingdom of Sardinia’s Parliament, and a member of Turin’s communal council and of the Province of Novara’s one. In this period he designed numerous works: several residences, the communal seta and the Sanctuary of Boca (whose cupola was never completed due to crumbling risks), a villa at Romagnano Sesia, the Orphans’ Hospice in Alessandria, the regulation plans of Ferrara and Novara, the church of San Clement and the Asilo de Medici in Bellinzago Novarese. The church of Borgolavezzaro (1858-62) was also finished without the cupola, due to high costs.

Noteworthy is the Basilica of San Gaudenzio in Novara, finished in 1887. It is an audacious construction in brickwork, standing 121 m tall. Also from him in Novara are the Casa Bossi and the Cathedral.

Antonelli’s most famous work is the Mole Antonelliana, the symbol of Turin, named after him and begun in 1863 as a Jewish synagogue. It was completed in 1897 by the city’s council as the Risorgimento Museum. The spire, demolished by a violent cloudburst accompanied by a tornado in 1953, was rebuilt in 1961 according to the original drawings.

Exterior view
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Exterior view

Among the forward-looking developments in the first half of the 19th century was the emancipation of engineering-led building, resulting from the establishment of technical high schools. Whereas in England and France iron structures were being built, in Italy it was the daring stone buildings of Alessandro Antonelli that caused a sensation. His idea was to exploit the given material to the utmost. One of his spectacular works of this kind is the crossing tower of Pellegrino Tibaldi’s church of San Gaudenzio in Novara, under construction since the late 16th century.

The dizzying height of the slender structure (121 m) was made feasible by the insertion of concealed iron stays. The use of a tholos with a circular colonnade, the retracted upper story and the slender, ribbed dome call to mind the model of Soufflot’s church of Sainte-Genevieve in Paris, but the scheme gains an effect of progressive height from its telescoped layering.

Exterior view
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Exterior view

The Mole Antonelliana is a major landmark building in Turin, Italy, named after its architect, Alessandro Antonelli. A mole in Italian is a building of monumental proportions.

Construction began in 1863, soon after Italian unification, and was completed in 1889, after the architect’s death. Originally conceived as a synagogue, it now houses the Museo Nazionale del Cinema, and is the tallest unreinforced brick building in the world (built without a steel girder skeleton).

Exterior view
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Exterior view

The Mole Antonelliana is a major landmark building in Turin, Italy, named after its architect, Alessandro Antonelli. A mole in Italian is a building of monumental proportions.

General view
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General view

The Mole Antonelliana is a major landmark building in Turin, Italy, named after its architect, Alessandro Antonelli. A mole in Italian is a building of monumental proportions.

Interior view
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Interior view

The photo shows a view into the dome.

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