ARNOLDI, Alberto

(b. 0 , d. 0 )

Italian architect and sculptor perhaps of Lombard origin, active in Florence. His documented works are a Madonna and Child between two angels (1359-64) for the altar of the Oratory of the Bigallo, and a relief (Madonna and Child) in the lunette on the door of the same Oratory (1361). In the latter his manner shows great simplicity, partly derived from Andrea Pisano. The reliefs of the Seven Sacraments on the bell tower of the Santa Maria del Fiore are now also attributed to him, they are earlier than his documented works.

General view

The Loggia del Bigallo is a late Gothic structure in Florence, one of a dozen public loggias in the city. It is part of a construction that housed the Compagnia della Misericordia, who commissioned the structure. The open loggia served to shelter lost children and unwanted infants who were abandoned to the care of the brotherhood, the “Company of Mercy”.

The Loggia shows a trend towards increasing decorative intricacy. Alberto Arnoldi, who is documented between 1359 and 1364 as working on the closely related altar and for an external lunette, may well have been concerned in its design. The porch is so intricately carved in low relief that it almost qualifies as sculpture. If the blank pierced quatrefoils were indeed meant for paintings, like the shallow niches on the inner piers, this would be a further stage in the blending of pictorial, architectural, and sculptural effects attempted at Orsanmichele. On the other hand, for all its decorative complexity the architectural framework of the Loggia, with its careful rectilinear enclosure of the round-arched openings, remains severe.

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Virgin and Child

This relief is in the lunette above the door of the Oratory del Bigallo.

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