BARBIERI, Paolo Antonio - b. 1603 Cento, d. 1649 Cento - WGA

BARBIERI, Paolo Antonio

(b. 1603 Cento, d. 1649 Cento)

Italian painter. He was the younger brother of Guercino (Giovanni Francesco Barbieri), and both collaborated with him and worked independently as a still-life painter. He was a celebrated painter of still-life and animals. He chose for his subjects fruits, flowers, insects and animals, which he painted after nature with a lively tint of colour, great tenderness of pencil, and a strong character of truth and life. He particularly excelled in painting fish, which he represented with astonishing fidelity. Guercino’s Libro dei conti, for which, from 1629, Barbieri was responsible, recorded 42 pictures by him, including the Spice Shop.

In 1642 Paolo Antonio moved to Bologna with Guercino, and seven more works are recorded in the account book in Bologna. The two brothers collaborated on Flora (1642) and on the Woman and Child with Fruit (both Palazzo Rospigliosi-Pallavicini, Rome); the latter, in which the figures are by Guercino, was bought by Cardinal Mazarin in 1646. They also worked together on Ceres (Palazzo Doria-Pamphili, Rome), in which Paolo Antonio painted the floral decoration.

Still-Life
Still-Life by

Still-Life

The present still-life depicts pears, peaches, figs, a melon, cabbage and marrow. It has a pendant (private collection), a still-life depicting various fruits.

Barbieri’s conservative and refined approach to still-life painting is evident in these still-lifes. Each grouping of fruit or vegetables is thoughtfully and delicately placed, yet each object and placement seems premeditated and assertive within the composition. This meditation on space is a ubiquitous theme in Barbieri’s oeuvre.

The Spice Shop
The Spice Shop by

The Spice Shop

Paolo Antonio Barbieri, brother of the famous Guercino, was a master of the still-life. The austere composition of The Spice Shop, in which tall spice jars are arranged in a row parallel to the picture plane, has similarities with the art of Jacopo da Empoli, while the characterization of the youthful and romantic seller of spices reflects aspects of Guercino’s style, though the execution is drier.

Feedback