BIDAULD, Jean-Joseph-Xavier - b. 1758 Carpentras, d. 1846 Montmorency - WGA

BIDAULD, Jean-Joseph-Xavier

(b. 1758 Carpentras, d. 1846 Montmorency)

French painter. He was apprenticed in Lyon for six years with his brother Jean-Pierre-Xavier Bidauld (1745-1813), a landscape and still-life painter. Subsequently, they left Lyon to travel together in Switzerland and Provence. In 1783 he moved to Paris, where he met Joseph Vernet (from whom he received valuable advice), Joseph-Siffred Duplessis and Jean-Honoré Fragonard. In 1785 he went to Rome with the assistance of Cardinal de Bernis and his patron, the dealer and perfumer Dulac. He stayed there for five years, travelling through Tuscany, Umbria and Campania and painting such works as Roman Landscape (1788; Basle, Kunstmuseum).

Bidauld was closely involved with the circle of French Neo-classical painters in Rome in the 1780s. He was friendly with Louis Gauffier, Nicolas-Antoine Taunay and especially with Guillaume Lethiere, who became his brother-in-law and with whom he occasionally collaborated. On his return to Paris in 1790 he travelled extensively in France, visiting Brittany, the Dauphiné and in particular Montmorency, where he stayed in the Mont-Louis house that had been the home of Jean-Jacques Rousseau.

Between 1791 and 1844, Bidauld was a regular exhibitor at the Paris Salon and won a Gold Medal in 1812. Unable to abandon Neoclassicism when it fell out of style, his work lost demand and Bidauld died in poverty.

Italianate Landscape
Italianate Landscape by

Italianate Landscape

The present canvas belongs to a group of Italianate landscapes painted directly from nature during the artist’s sojourn in Italy in 1785-1790. It employ a romanticizing use of sunlight reminiscent of Claude-Joseph Vernet’s sweeping landscapes. (Vernet was the teacher of Bidauld in 1783 in Paris.)

Landscape with Figures Crossing a River
Landscape with Figures Crossing a River by

Landscape with Figures Crossing a River

It is assumed that the figures were painted by an other artist (Nicolas-Antoine Taunay). The painting is signed lower left.

Still-Life
Still-Life by

Still-Life

This still-life depicts tulips, carnations, roses, irises, narcissi and various other flowers in a silver vase together with figs, grapes and pomegranates on a marble ledge. It is signed and dated lower right: J.Bidauld F. 1810/ a Lyon.

The Augustan Bridge
The Augustan Bridge by

The Augustan Bridge

This landscape depicts the Augustan bridge on the Nera river, and the Nera river valley in the region of Terni near the town of Narni in Italy. The area was a popular destination for landscape painters in the eighteenth century.

This painting was one of four pictures all with the same dimensions which were painted expressly for the agent Antoine-Joseph Sarazin.

View of the Cascade of the Gorge near Allevard
View of the Cascade of the Gorge near Allevard by

View of the Cascade of the Gorge near Allevard

The gorge near Allevard lies on the Is�re River where it flows down towards Grenoble, in the Dauphin� region of the foothills of the Alps. Bidauld had traveled through the Dauphin� in 1803 and made several wash drawings en plein air, as well as oil sketches.

View of the Isle of Sora
View of the Isle of Sora by

View of the Isle of Sora

The painting, exhibited under this title at the Salon of 1793, in fact depicts the village of Isola del Liri and the castle of Buoncompagni near Sora.

View of the Ponte Rocco, Tivoli
View of the Ponte Rocco, Tivoli by

View of the Ponte Rocco, Tivoli

Bidauld first traveled to Italy in 1785 and was encouraged by the marine painter and landscapist Claude-Joseph Vernet to paint en plein air, completing sketches outdoors that could later be worked up into finished paintings. These Italian drawings would serve as the basis for the artist’s paintings even after he returned to France in 1790, and the present painting, dated 1812, is emblematic of the Italian views which made him so famous.

Tivoli was a popular destination for artists traveling through Italy. Bidauld’s elegant composition from the bottom of the falls, looking up at the Ponte Rocco, exhibits his impressive sense of light. The bridge is seen in shadow, but the warm Italian sunlight hits the waterfall, trees, and hilltop village beyond, coming from the far left, toward the viewer. The figures on the ledge below are also admiring the bridge, with their backs to the viewer. An artist is seen sketching alongside his dog.

View of the Ponte Rocco, Tivoli (detail)
View of the Ponte Rocco, Tivoli (detail) by

View of the Ponte Rocco, Tivoli (detail)

View of the Waterfalls at Tivoli
View of the Waterfalls at Tivoli by

View of the Waterfalls at Tivoli

This painting is a typical example of the many studies, painted in oils on paper, that Bidauld executed in the open air on his extensive trips through the countryside during his Italian sojourn from 1785 through 1790. They are not sketches but pictures finished in the studio.

Feedback