BROSAMER, Hans - b. ~1500 Fulda, d. 1554 Erfurt - WGA

BROSAMER, Hans

(b. ~1500 Fulda, d. 1554 Erfurt)

German painter and printmaker. One of the German printmakers of the 1500s known as the “Little Masters” because of their finely executed, small-scale prints, Hans Brosamer was instrumental in raising the standard of German Protestant book illustration. He worked in Fulda from about 1520 to 1545, painting portraits of distinguished local citizens and designing engravings and woodcuts. Brownish flesh tones, green backgrounds, and an interest in fine materials characterized his portraits.

By the time he moved to Erfurt around 1546, Brosamer, like many other struggling German painters, devoted himself exclusively to designs for both copper engravings and woodcuts. His woodcuts illustrated Martin Luther’s Wittenberg Bible and Luther’s Frankfurt Catechism, both from 1550, and his engravings range from Christian, mythological, and classical themes to genre scenes. Following Netherlandish Mannerist models, Brosamer depicted ambitious architectural backgrounds with groups of figures. He used very closely hatched lines to achieve the dense texture of his engravings.

He designed both on wood and copper, although he was properly a wood-engraver, signing himself on his portrait of the Landgrave of Hesse, ‘Formschneider zu Erfurt,’ where he resided during the latter part of his life. In his copper engravings his style is somewhat modern, and resembles rather the engravers who copied the designs of others than those of the earlier period, who invented their own subjects. He sometimes marked his plates with his name, and sometimes with a cipher.

Katharina Merian
Katharina Merian by

Katharina Merian

This portrait shows a woman at half-length, standing before a green background. She turns her head and rests her hands at her waist. She wears a broad platter hat (Tellerbarett) decorated with gray ribbon along the edge of the brim. Although no corresponding male portrait is known, this likeness probably accompanied a pendant depicting the sitter’s husband.

An inscription by a later hand on the reverse recorded information that had been lost during the reworking of the background sometime before 1874. It contained the name of and age of the sitter and the artist’s monogram and date: KATHARINA MERIAN AET. 38 and HB 1524. This evidence was itself obliterated during the subsequent planing of the panel for cradling. The existence of the sitter has not yet been corroborated by other sources.

Ulrich, Duke of Württemberg
Ulrich, Duke of Württemberg by

Ulrich, Duke of Württemberg

This woodcut portrays Duke Ulrich von W�rttemberg und Teck (1487-1550).

Wolfgang Eisen
Wolfgang Eisen by

Wolfgang Eisen

The likeness of Wolfgang Eisen is a typical example of the standard compositional scheme of Brosamer’s Nuremberg portraits.

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