CAGNOLA, Luigi - b. 1762 Milano, d. 1833 Inverigo - WGA

CAGNOLA, Luigi

(b. 1762 Milano, d. 1833 Inverigo)

Italian architect. He was sent at the age of fourteen to the Clementine College at Rome, and afterwards studied at the University of Pavia. He was intended for the legal profession, but his passion for architecture was too strong, and after holding some government posts at Milan, he entered as a competitor for the construction of the Porta Orientale. His designs were commended, but were not selected on account of the expense their adoption would have involved.

From that time Cagnola devoted himself entirely to architecture. After the death of his father he spent two years in Verona and Venice, studying the architectural structures of these cities. In 1806 he was called upon to erect a triumphal arch for the marriage of Eugène Beauharnais with the princess of Bavaria. The arch was of wood, but was of such beauty that it was resolved to carry it out in marble. The result was the magnificent Arco della Pace (Arch of Peace) at Porta Sempione in Milan, surpassed in dimensions only by the Arc de Triomphe in Paris. Among other works executed by Cagnola are the Porta Ticinese and the chapel of Santa Marcellina in Milan, and the church tower in Urgnano.

He died in Inverigo in 1833, five years before the Arco della Pace was completed. Outside of the town of Inverigo, he built a villa for himself, named Villa La Rotonda, completed by one of his pupils.

Arco di Sempione
Arco di Sempione by

Arco di Sempione

The Arco di Sempione (Arco della Pace) was constructed by Cagnola to mark the wedding of the Viceroy with Augusta Amalia of Bavaria, originally as an ephemeral structure but later rebuilt in stone. Begun in 1806, at the same time as the Arc de Triomphe de l’�toile in Paris, with which it is closely related, the triumphal arch is based on the ancient arch of Septimius Severus in Rome. Like the Arc de Triomphe de l’�toile, it remained uncompleted after the fall of Napoleon. After a long lull, it was completed in 1838 as the Arco della Pace, but then renamed Arco di Sempione in 1859 on the occasion of a peace treaty with France.

Exterior view
Exterior view by

Exterior view

The villa was built for himself by the Neoclassical architect Luigi Cagnola, and after his death in 1833, completed by his pupil Francesco Peverelli (1789-1854). This idiosyncratic villa is peppered with classical allusions. Though many of its basic features follow Palladio’s famous Villa Rotonda in Vicenza, the domed centre block evokes the Pantheon in Rome, and is confronted on the main fa�ade by two prostyle podium temples. Cinquecento and even Neo-Egyptiam features underline the eclectic character of the building.

The photo shows the main fa�ade.

Exterior view
Exterior view by

Exterior view

The villa was built for himself by the Neoclassical architect Luigi Cagnola, and after his death in 1833, completed by his pupil Francesco Peverelli (1789-1854). This idiosyncratic villa is peppered with classical allusions. Though many of its basic features follow Palladio’s famous Villa Rotonda in Vicenza, the domed centre block evokes the Pantheon in Rome, and is confronted on the main fa�ade by two prostyle podium temples. Cinquecento and even Neo-Egyptiam features underline the eclectic character of the building.

The rear facade of the building is introduced by the spectacular “Giant Loggia” with the six magnificent sculptures by Pompeo Marchesi.

General view
General view by

General view

Napoleon’s triumphal re-entry after the victory over the coalition army in the Battle of Marengo in 1800 was celebrated inn MIlan with a triumphal arch of the classical type, the Porta Ticinese. It was built 1801-14, even before the arches in the French capital, to a design by Luigi Cagnola, and demonstrated a programmatic adoption of classical Roman features.

Despite the grand dimensions, the arch structure with its slender Ionic columns enclosed between antae piers looks open and airy. The tall round-arched openings in the side walls and pediment on top betray the influence of Palladio.

General view
General view by

General view

Napoleon’s triumphal re-entry after the victory over the coalition army in the Battle of Marengo in 1800 was celebrated inn MIlan with a triumphal arch of the classical type, the Porta Ticinese. It was built 1801-14, even before the arches in the French capital, to a design by Luigi Cagnola, and demonstrated a programmatic adoption of classical Roman features.

Despite the grand dimensions, the arch structure with its slender Ionic columns enclosed between antae piers looks open and airy. The tall round-arched openings in the side walls and pediment on top betray the influence of Palladio.

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