CARMONTELLE, Louis Carrogis de - b. 1717 Paris, d. 1806 Paris - WGA

CARMONTELLE, Louis Carrogis de

(b. 1717 Paris, d. 1806 Paris)

French painter and writer, also known as Louis Carrogis. He is noted for having created portraits and caricatures of the French nobility, courtiers, distinguished guests to noble households, and soldiers. He is also noted for having painted panoramas ‘en transparence’ for projection in a magic lantern. He was the designer of one of the earliest examples of the French landscape garden, Parc Monceau in Paris.

Carmontelle came from a modest background - his father was a bootmaker. He studied drawing and geometry, and at the age of twenty three qualified for the title of engineer, and entered the service of the Duc de Chevreuse and the Duc de Luynes at the Château de Dampierre, where he taught drawing and mathematics to the children.

In 1758, he entered the service of the Comte Pons de Saint-Maurice, governor of the Duc de Chartres and commander of regiment of Orléans-dragons as a topographical engineer. In addition to his drawing duties, he wrote farces and tales. After 1763 he entered into the service of Louis Philippe I, Duke of Orléans as a lecteur, responsible for providing theatrical performances for the family. He wrote and directed plays, decorated the scenery and made the costumes. In this way he invented a new genre of play, the ‘proverbe dramatique’, a scene of light comedy designed to be a point of departure for a theatrical improvisation. He also wrote plays for the famous ballerina, Marie-Madeleine Guimard for performance at the private theater of her residence, Pantin.

In addition to his work in the theater, he was a talented artist, who made portraits in pen and watercolour in less than two hours of notable people that he met. The most famous of his drawings is that of the infant Mozart playing the clavier.

Although the attribution is in dispute, he is traditionally assumed to be the author of an important body of art criticism, written in response to the Salons held between 1779 and 1789 and published anonymously.

Egyptian Pyramid
Egyptian Pyramid by

Egyptian Pyramid

The duke of Chartres had Carmontelle build a picturesque ensemble in the Parc Monceau (1775-78). The multi-talented Carmontelle wrote plays, organised a literary salon and designed the Jardin de Monceau in Paris.

Carmontelle employed a German landscape architect named Etickhausen and the architect of the Duke, Bernard Poyet, to build the follies. The garden designed by Carmontelle was finished in 1779. It contained a miniature ancient Egyptian pyramid, a Roman colonnade, antique statues, a pond of water lilies, a Tatar tent, a farmhouse, a Dutch windmill, a temple of Mars, a minaret, an Italian vineyard, an enchanted grotto, and a Gothic building. In addition to the follies, the garden featured servants dressed in oriental and other exotic costumes, and unusual animals, such as camels.

While some of these decorative elements are no longer visible today (e.g. the Dutch windmill, the minaret), others have survived as the false Egyptian pyramid.

Jardin de Monceau
Jardin de Monceau by

Jardin de Monceau

The duke of Chartres had Carmontelle build a picturesque ensemble in the Parc Monceau (1775-78). The multi-talented Carmontelle wrote plays, organised a literary salon and designed the Jardin de Monceau in Paris.

Carmontelle employed a German landscape architect named Etickhausen and the architect of the Duke, Bernard Poyet, to build the follies. The garden designed by Carmontelle was finished in 1779. It contained a miniature ancient Egyptian pyramid, a Roman colonnade, antique statues, a pond of water lilies, a Tatar tent, a farmhouse, a Dutch windmill, a temple of Mars, a minaret, an Italian vineyard, an enchanted grotto, and a Gothic building. In addition to the follies, the garden featured servants dressed in oriental and other exotic costumes, and unusual animals, such as camels.

The engraver of the print was Jean Charles Delafosse (1734-1789).

Portrait of Mozart
Portrait of Mozart by

Portrait of Mozart

The picture depicts Wolfgang Amadeus Mozart (1756-1791) playing in Paris with his father Leopold and his sister Maria Anna (nicknamed ‘Nannerl’).

Suggested listening (streaming mp3, 21 minutes):

Wolfgang Amadeus Mozart: Trio in E Flat Major (Kegelstatt) K 498

The Duchess of Chaulnes as a Gardener in an Allée
The Duchess of Chaulnes as a Gardener in an Allée by

The Duchess of Chaulnes as a Gardener in an Allée

In this poignant portrait, Louis Carmontelle depicted Marie d’Albert de Luynes taking up the vogue for gardening that Queen Marie Antoinette had popularised among noble women. Gently raking in a verdant all�e or garden path, Marie probably posed during a social event at the Parisian court of the duc d’Orl�ans. At the duke’s parties, master of ceremonies Louis Carmontelle entertained guests by drawing on-the-spot portraits.

Carmontelle first sketched using black chalk for the body and red chalk for the arms and face. Later on, he added watercolour, allowing much of the black chalk and blank white paper in her dress to show through.

The Gentlemen of the Duc d'Orléans in the Uniform of Saint Cloud
The Gentlemen of the Duc d'Orléans in the Uniform of Saint Cloud by

The Gentlemen of the Duc d'Orléans in the Uniform of Saint Cloud

The note on the reverse of the drawing, written by Richard de L�dans in a style typical of the Ancien R�gime, states that Carmontelle’s subjects “were shown very strikingly, despite being seen from behind” and also allows for the identification of the sitters. All of these illustrious figures embody the more military aspect of the nobility. Part of the closest entourage of the duc d’Orl�ans, these men played an integral part in court life, following the Duke from château to château.

The Société du Palais-Royal
The Société du Palais-Royal by

The Société du Palais-Royal

At centre, surrounded by the aristocracy of the Palais-Royal, Louis Philippe d’Orl�ans stands next to his father the duc d’Orl�ans. Due to his closeness with members of high society, Carmontelle was able to document the daily life of the aristocracy. Thanks to him we are able observe the final flourishing of the nobility under the Ancien R�gime, before the changes to society wrought by the Revolution.

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