CAROLUS-DURAN - b. 1837 Lille, d. 1917 Paris - WGA

CAROLUS-DURAN

(b. 1837 Lille, d. 1917 Paris)

Charles Auguste Émile Durand, known as Carolus-Duran, French painter. He came from a humble background and by the age of 11 was taking lessons at the Académie in Lille from the sculptor Augustin-Phidias Cadet de Beaupré (b. 1800) who taught him to sketch. At 15 he began a two-year apprenticeship in the studio of one of David’s former pupils, François Souchon (1787-1857), whose name he still referred to several years later when he exhibited at the Salon. In 1853 he moved to Paris. He copied in the Louvre where he must have met Henri Fantin-Latour, then taking life classes at the Académie Suisse (1859-60).

He exhibited at the Salon for the first time in 1859. His first period in Paris, from 1853 to 1862 (interspersed with visits to Lille, where he received portrait commissions and an annuity in 1861), shows the influence of Gustave Courbet, whose After Dinner at Ornans (1849) he had been able to see in the Musée des Beaux-Arts at Lille. Thanks to Fantin-Latour or Zacharie Astruc, whom he had known in Lille, he soon befriended Courbet, Manet and the Realist artists, painting their portraits with a serious Realism full of concentrated energy: Fantin-Latour and Oulevay (1861), Zacharie Astruc (c. 1860-61; both Paris, Musée d’Orsay) and Claude Monet (1867; Paris, Musée Marmottan).

In 1889, he was made a commander of the Legion of Honour. In 1890, he participated in the creation of the National Society of French Art (Société Nationale des Beaux Arts). He became a member of the Académie des Beaux-Arts in 1904, and in the next year, was appointed director of the French Academy in Rome to succeed Eugène Guillaume. He died in Paris.

After the Swimming
After the Swimming by

After the Swimming

The painter was influenced by Manet. Like Manet in the Nymph Surprised he placed a sitting nude by a stream, and as in Manet’s Dejeuner sur l’herbe, nudes and a figure in modern dress are present in a rural setting.

Portrait of Anna Alexandrovna Obolenskaya
Portrait of Anna Alexandrovna Obolenskaya by

Portrait of Anna Alexandrovna Obolenskaya

Carolus-Duran, a fashionable society portraitist, arrived in Russia in 1876 at the invitation of Alexander Polovtsov, a senator and secretary of state under Alexander III. While there, he painted several family members, including Polovtsov’s daughter Anna, who married Prince Alexei Obolensky, a high-ranking state official.

Portrait of Hector Hanoteau
Portrait of Hector Hanoteau by

Portrait of Hector Hanoteau

Hector Hanoteau (1823-1890) was a painter of landscapes and portraits, a friend of Carolus-Durand. His works are now included at the Mus�e d’Orsay and in public collections in Marseille and Laval.

Portrait of Lady Campbell Clarke
Portrait of Lady Campbell Clarke by

Portrait of Lady Campbell Clarke

Lady Campbell-Clarke was a notable aristocrat of the English society in the second half of the nineteenth century. Her sister, Lady Faudel-Philips was the wife of the mayor of London in 1897.

The Convalescent or The Casualty
The Convalescent or The Casualty by

The Convalescent or The Casualty

Those painters who followed the example of Courbet found their work rejected or ignored. The memory of Courbet’s Wounded Man (Mus�e d’Orsay, Paris) was clearly evoked by the young Carolus-Duran in the Convalescent or The Casualty, a fragment of the large composition that had won Carolus-Duran the Prix Wicar in Lille in 1860, leading to a four-year stay in Italy. For the Salon, he settled for a waistcoat open to reveal a white shirt, whereas before he had boldly dressed his subject in a bright-red jacket.

The Lady with the Glove
The Lady with the Glove by

The Lady with the Glove

This picture, painted in the traditional style of portrait painting of the day, depicts the painter’s wife Pauline, dressed in unrelieved black. The Lady with the Glove reflects the sober tones of the wall and floor, relieved solely by the geometrical decorative frieze.

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