CASSATT, Mary - b. 1844 Allegheny City, d. 1926 Le Mesnil-Théribus - WGA

CASSATT, Mary

(b. 1844 Allegheny City, d. 1926 Le Mesnil-Théribus)

American painter and printmaker, active in France, the leading American artist of the Impressionist school. She was born in Allegheny City, Pennsylvania. Her family lived in France from 1851 to 1853 and in Germany from 1853 to 1855. When Mary Cassatt’s oldest brother, Robbie, died, the family returned to Philadelphia.

She studied art at the Pennsylvania Academy in Philadelphia in 1861 to 1865, which was among the few such schools open to female students. In 1866 Mary Cassatt began European travels, finally settling in Paris. She exhibited at the Paris Salon in 1872, 1873, and 1874.

Cassatt met Edgar Degas with whom she had a close friendship. In 1877 she joined the Impressionist group and in 1879 she began exhibiting with them at the invitation of Degas.

Her work was frequently characterized by depictions of women in ordinary tasks, and especially with children. Though she never married or had children of her own, she enjoyed visits from her American nieces and nephews. She is most famous for works with the subject of mother and child. She is known for superior draughtsmanship in all the media, notably pastel.

After 1900 her eyesight began to fail, and by 1914 she was no longer able to paint.

"Reading "Le Figaro"
"Reading "Le Figaro" by

"Reading "Le Figaro"

A Woman and a Girl Driving
A Woman and a Girl Driving by

A Woman and a Girl Driving

This painting shows Lydia Cassatt, the artist’s sister, on a carriage drive with a young niece of the painter Edgar Degas, accompanied by a groom.

Alexander J. Cassatt and his Son Robert
Alexander J. Cassatt and his Son Robert by

Alexander J. Cassatt and his Son Robert

The painting represent the artist’s father and her brother.

Caress Maternelle
Caress Maternelle by

Caress Maternelle

Although Cassatt was never married and had no children of her own, she had a remarkable ability to portray the special love between mother and child. She was likely inspired to explore this theme by images of the Madonna and Child from the Italian Renaissance.

Children on the Beach
Children on the Beach by

Children on the Beach

Five O'Clock Tea
Five O'Clock Tea by

Five O'Clock Tea

In the Loge
In the Loge by

In the Loge

Impressionist painters, such as Renoir and Degas depicted several times fashionable ladies sitting in theater boxes. Mary Cassatt also treated this subject by depicting a female figure as she peers through her opera glasses at the row of seats across from her.

Lady at the Tea Table
Lady at the Tea Table by

Lady at the Tea Table

Domestic scenes, especially those including women and children, were Cassatt’s speciality. She used the high-key palette characteristic of Impressionism to create pictures of great naturalism and warmth but without cloying sentimentalism. In the present picture she has portrayed her mother’s cousin, Mrs. Robert Moore Riddle, in a painting that was intended to be a thank-you gift for hospitality received in London.

Lydia Cassatt, the Artist's Sister
Lydia Cassatt, the Artist's Sister by

Lydia Cassatt, the Artist's Sister

Lydia Crocheting in the Garden at Marly
Lydia Crocheting in the Garden at Marly by

Lydia Crocheting in the Garden at Marly

Mother about to Wash her Sleepy Child
Mother about to Wash her Sleepy Child by

Mother about to Wash her Sleepy Child

On the Balcony
On the Balcony by

On the Balcony

In the course of her studies in Europe, Mary Cassatt traveled widely. In Spain she visited Seville where she painted the present canvas.

On the Balcony (detail)
On the Balcony (detail) by

On the Balcony (detail)

On the Meadow
On the Meadow by
Reine Lefebvre and Margot
Reine Lefebvre and Margot by

Reine Lefebvre and Margot

Summertime
Summertime by
Susan on a Balcony Holding a Dog
Susan on a Balcony Holding a Dog by

Susan on a Balcony Holding a Dog

Cassatt preferred to paint friends and acquaintances. Her sister Lydia posed frequently. After Lydia died in 1882, Susan - probably a cousin of Cassatt’s housekeeper, Mathilde Vallet - made continual appearances, posing for no fewer than nine pictures up to 1883, the last and most mature of which was Susan on a Balcony Holding a Dog.

The Bath
The Bath by
The Blue Room
The Blue Room by

The Blue Room

This painting has an air of sensual abandon surrounding the little girl depicted by Mary Cassatt. The painting was rejected by the Exposition Universelle in 1878. Degas, who had made the acquaintance of this American artist then living in Paris, was to persuade her to exhibit with the Impressionists from 1879 onward. Mary Cassatt is known to have played a considerable role in the success that the Impressionists were later to enjoy among her wealthier American friends.

The Boating Party
The Boating Party by

The Boating Party

The Cup of Tea
The Cup of Tea by
Woman with Needlework
Woman with Needlework by

Woman with Needlework

Woman with a Pearl Necklace in a Loge
Woman with a Pearl Necklace in a Loge by

Woman with a Pearl Necklace in a Loge

This is one of the several theater scenes which Cassatt painted in the late 1870s. The woman in the painting is probably Lydia, Cassatt’s sister. The painting demonstrates the influence of Edgar Degas, the artist’s friend. It was shown in 1879 at the 4th Impressionist exhibition held in Paris.

The painting is a delight both for its leisurely brushwork and for its spatial construction. Without defining any middle distance, Cassatt places the figure squarely up front, while the mirror in which we see her back reflected (which at first glance seems a background of gallery seats) actually shows us what Lydia herself sees before her. Beside that of Degas we may detect Manet’s influence, namely that of A Bar at the Folies-Berg�re.

Young Mother Sewing
Young Mother Sewing by

Young Mother Sewing

Feedback