CAUCHIE, Paul - b. 1875 Ath, d. 1952 Bruxelles - WGA

CAUCHIE, Paul

(b. 1875 Ath, d. 1952 Bruxelles)

Belgian decorative artist, architect and painter. He began architectural studies at the Koninklijke Academie voor Schone Kunsten in Antwerp but broke off to pursue courses on the decorative arts at the Académie Royale des Beaux-Arts in Brussels, graduating in 1898. The tuition he received there from the painter Constant Montald (1862-1944) gave him a taste for mural art, and he soon developed a business that specialized in sgraffito painting, a technique that had recently come back into fashion. He completed some 440 design projects, most of which were for building façades and stairways.

As an interior designer, painter and draughtsman, Cauchie was influenced by the Arts and Crafts movement and the work of Charles Rennie Mackintosh and the Glasgow Style, and he produced a variety of work in the applied arts. Towards 1905 his style became more geometrical. It was at this time that he built his own studio and house at Etterbeek, Brussels, in collaboration with the architect Edouard Frankinet (1877-1937). The completion of this building alone places Cauchie among the leaders of the Art Nouveau movement in Brussels. Designed with a rather severe rectilinear façade incorporating Art Nouveau mural panels, its originality lies in the exploitation and synthesis of two favourite themes of Paul Hankar: the tower-house and the poster-façade.

Cauchie’s architectural activity was limited to a few other buildings on which he collaborated with Frankinet, as well as the production of small, prefabricated and easily dismantled houses (1918) in The Hague. After 1919 he devoted himself to easel painting, mainly in gouache.

Maison Cauchie: façade
Maison Cauchie: façade by

Maison Cauchie: façade

Towards 1905 Cauchie’s style became more geometrical. It was at this time that he built his own studio and house at Etterbeek, Brussels, in collaboration with the architect Edouard Frankinet (1877-1937). Designed with a rather severe rectilinear fa�ade incorporating Art Nouveau mural panels, its originality lies in the exploitation and synthesis of two favourite themes of Paul Hankar: the tower-house and the poster-fa�ade. As a work of painting above all, its sgraffito surfaces, which govern the lines of the composition as a whole, play an important role in conferring upon the fa�ade an essentially pictorial character.

Cauchie House is a good example of applying the principle of “total art” in architecture. Cauchie and his wife wanted that the distinction between the main art forms (architecture, painting, sculpture) and the minor art forms (decorative arts) disappeared to become part of the global oeuvre.

Maison Cauchie: façade (detail)
Maison Cauchie: façade (detail) by

Maison Cauchie: façade (detail)

The picture shows the sgraffito on the second floor of the fa�ade.

Maison Cauchie: façade (detail)
Maison Cauchie: façade (detail) by

Maison Cauchie: façade (detail)

The picture shows the sgraffito on the first floor of the fa�ade.

At the very centre of the fa�ade, Cauchie drew the words “Par Nous - Pour Nous” (English: By Us - For Us). The house was designed, from the very beginning, as a joint work by the couple, intended for private use. Cauchie did the drawings for the house and worked together with his wife to design and decorate their home and workshop. They filled the house with their multiple works of art (paintings, wall coverings, furniture, etc.)

Maison Cauchie: interior (detail)
Maison Cauchie: interior (detail) by

Maison Cauchie: interior (detail)

The picture shows a sgraffito panel from the ground floor.

Feedback