CERQUOZZI, Michelangelo - b. 1602 Roma, d. 1660 Roma - WGA

CERQUOZZI, Michelangelo

(b. 1602 Roma, d. 1660 Roma)

Italian painter, known as ‘Michelangelo of the Battle’ because of his predilection for battle scenes. He spent all his career in Rome, but had considerable contact with Northern painters; his friendship with the Dutchman Pieter van Laer led to his becoming the leading Italian exponent of bambocciate (small pictures low-life and peasant scenes). He also painted small religious and mythological works and still-lifes.

He was born of Roman parents, baptized in the parish of S Lorenzo in Lucina. A member of the Accademia di S Luca since 1634, Cerquozzi attended meetings of the society as late as 1652. His friends included Domenico Viola, Pietro da Cortona and Giacinto Brandi. More significant were his associations with foreign residents in Rome. According to Baldinucci, Cerquozzi had special affection for the Spanish, owing to the patronage he received from the major-domo of the Spanish Embassy as a youth, and would often don Spanish attire as a sign of his sentiment. His Spanish connections may partly account for the many commissions he later received from patrons identified with Rome’s pro-Spanish political faction. Cerquozzi enjoyed equally good rapport with northern European residents of Rome. He is documented as having quartered with artists from beyond the Alps, including Paulus Bor and Cornelis Bloemaert, for the bulk of his career. His contacts with Dutch and Flemish painters living in his native city profoundly affected his artistic development.

Figures in a Tree-lined Avenue
Figures in a Tree-lined Avenue by

Figures in a Tree-lined Avenue

A 1692 Chigi inventory lists two paintings, the Rural Scene (see at Angeluccio) and the Figures in a Tree-lined Avenue and indicates that they are the product of a collaboration between Angeluccio, who painted the landscape, and Michelangelo Cerquozzi, who painted the figures.

Though Miel and van Bloemen also painted figures for Angeluccio’s landscapes, the majority of his collaborations were with Michelangelo Cerquozzi. Angeluccio seems to have furnished background landscapes for his fellow “Bamboccianti” much as Viviano Codazzi executed architectural backgrounds for them. A hypothesis has even been advanced that the nickname “Angeluccio” is derived from the closeness of this artist to “Michele Angelo” Cerquozzi. The fruits of this collaboration entered into numerous important Roman collections in the seventeenth and eighteenth centuries, the inventories of which either report the pictures as “by Angeluccio with figures by Cerquozzi”, or as landscapes by Angeluccio alone.

Self-Portrait in his Studio
Self-Portrait in his Studio by

Self-Portrait in his Studio

The painting is a self-portrait in an unusual setting: the painter, Michelangelo Cerquozzi, is portrayed in his studio in Rome before his easel, painting an elderly man with a bare torso kneeling in front of a lectern, in the foreground of the painting. His pose and characteristics imply that he is a model for the figure of St Jerome.

The depiction of the artist’s studio is very interesting: lying around on the floor there is a marble bust that must have been used as a model; not far away a brazier with burning coals heats and lights up the bare room; a sketch on paper and a framed oil painting of the crucified figure of the Good Thief can be seen on the wall. This painting certainly makes reference to Cerquozzi’s artistic activities. He painted this subject, much appreciated by Roman collectors, several times. The documents found relating to the painter’s studio, which was on the Pincio in Rome, indicate that the materials and objects kept in it were of roughly the same sort, while historical sources suggest that the artist used Romans as models, in accordance with the custom of painters who adopted Caravaggio’s style. Therefore, it is an accurate description of the work place of the painter who wanted to portray himself and his activities in his usual living space.

From a stylistic point of view, the light and colour choices are characteristic of Cerquozzi’s painting and the methods that he absorbed during his association with the painter Jacob de Hase, known as Giacomo Fiammingo.

Soldiers Playing Dice
Soldiers Playing Dice by

Soldiers Playing Dice

Street Scene in Rome
Street Scene in Rome by

Street Scene in Rome

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