CLOSTERMAN, John - b. 1660 Osnabrück, d. 1711 London - WGA

CLOSTERMAN, John

(b. 1660 Osnabrück, d. 1711 London)

German painter, active in England. John Closterman and John Baptist Closterman were, until the publication of the former’s will in 1964, thought to be the same artist. It is now clear that ‘John Closterman of Covent Garden Limner’ was the elder of two artist brothers and much the more accomplished painter. According to George Vertue, he was trained by his father in Osnabrück and at the age of 19 travelled to Paris. He worked for two years in the studio of François de Troy, who ran a fashionable portrait practice. Later he established himself in London in partnership with John Riley, acting as his drapery painter in 1681-83. Through Riley he was introduced to a potential clientele for his own independent practice, which he appears to have set up in the mid-1680s. He is thought to have finished a number of Riley’s portraits after his death, although Vertue recorded that the partnership had been discontinued owing to financial differences.

He settled and married in London. His portraits include those of Queen Anne in her coronation robes, the duke and duchess of Marlborough (a family group, c. 1698), the duke of Rutland, John Dryden, and Henry Purcell. In 1696 he visited Spain, where he executed portraits of King Charles II and his mother, Queen Maria Anna.

Maurice and Anthony Ashley-Cooper
Maurice and Anthony Ashley-Cooper by

Maurice and Anthony Ashley-Cooper

Anthony Ashley Cooper, the Third Earl of Shaftesbury (1671-1713) was an English philosopher who profoundly influenced 18th-century thought in Britain, France, and Germany. Maurice Ashley-Cooper (1675-1726), a classical scholar, was his younger brother. The double portrait represents the brothers mutual interest in moral philosophy,

Portrait of Guilford Killigrew, When a Boy
Portrait of Guilford Killigrew, When a Boy by

Portrait of Guilford Killigrew, When a Boy

Portrait of Thomas and George Dashwood
Portrait of Thomas and George Dashwood by

Portrait of Thomas and George Dashwood

The names of the two boys in the present work come from an inscription on the reverse, which identifies this as a portrait of the only sons of Sir Samuel Dashwood (1642-1705) and Anne Smith (died 1721).

Portrait of a Lady
Portrait of a Lady by

Portrait of a Lady

The sitter was presumably a member of the family or circle of the 3rd Earl of Shaftesbury, for whom Closterman painted a group of portraits in classicising dress circa 1700 at his Dorset home. The finest of these, the double portrait of the Earl with his brother Maurice representing their mutual interest in moral philosophy, is now in the National Portrait Gallery, London.

Feedback