COOPER, Thomas Sidney - b. 1803 Canterbury, d. 1902 Vernon Holme - WGA

COOPER, Thomas Sidney

(b. 1803 Canterbury, d. 1902 Vernon Holme)

English painter. He was encouraged in his ambition to become an artist by Sir Thomas Lawrence and the animal painter Abraham Cooper (no relation). He entered the Royal Academy Schools, London, in 1823. He subsequently taught art in Brussels where he met Eugène Verboeckhoven, whose work had a profound influence on him. Through Verboeckhoven he came to appreciate the work of such 17th-century Dutch painters as Aelbert Cuyp and Paulus Potter. In 1831 he returned to London, exhibiting at the Royal Society of British Artists. He exhibited 48 pictures at the British Institution between 1833 and 1863. The majority of his work was, however, exhibited at the Royal Academy; from 1833 to 1902 he exhibited 266 works there without a break, and he remains the longest continuous exhibitor in the Academy’s history. He was elected ARA in 1845 and RA in 1867.

Cooper’s paintings were almost exclusively of cattle (he was nicknamed ‘Cow’ Cooper to distinguish him from Abraham ‘Horse’ Cooper) and sheep, for example Landscape, with Cows and Sheep (1850; Egham, University London, Royal Holloway and Bedford New College). He produced one history painting, The Defeat of Kellerman’s Cuirassiers at Waterloo (1846; Birkenhead, Williamson Art Gallery and Museum). He also painted animals in landscapes by other artists, notably Frederick Richard Lee (1798-1879). Despite his preoccupation with animal painting and his prodigious output the quality of Cooper’s work remained surprisingly high. The contents of his studio were sold at Christie’s, 12-15 April 1902.

Bingley Gate, Canterbury
Bingley Gate, Canterbury by

Bingley Gate, Canterbury

Bingley Gate was the local designation for the fording place from Bingley’s Island, south west of Canterbury. The present painting is one of four versions of a composition which depicts a bull and cattle being herded by a boy on a donkey through a ford and towards a lane in the direction of Canterbury.

Mountain Sheep
Mountain Sheep by

Mountain Sheep

Thomas Sidney Cooper was a pupil of the Belgian animal painter Eug�ne Verboeckhoven whose work had a profound influence on Cooper’s choice of subject matter as demonstrated by the present painting depicting three centrally placed sheep.

Summer Evening
Summer Evening by

Summer Evening

The present painting is a striking example of Thomas Sidney Cooper’s skill as a painter of cattle. Furthermore, Cooper’s work references the influence of the seventeenth-century Dutch landscape painters Paulus Potter and Albert Cuyp, who are known to have greatly inspired his work. Known as the English ‘Paul Potter’, Cooper was impressed by the Dutch master of the pastoral landscape.

The influence of the work of Cuyp on Cooper can be appreciated in Cuyp’s Young Herdsman with Cows. Cooper seems to appropriate elements of Cuyp’s compositional structure by creating a vast sense of space by silhouetting the cattle against the sky.

Feedback