CORTVRIENDT, Jan - b. 0 ?, d. 1681 Brussel - WGA

CORTVRIENDT, Jan

(b. 0 ?, d. 1681 Brussel)

Flemish master joiner and architect. He worked as a joiner on the monumental oak choir-stalls (1663) for the abbey of Groenendaal near Brussels. When the monastery was dissolved in 1783, the stalls were transferred to Notre-Dame in Vilvoorde. They are the earliest ones in the southern Netherlands that were executed in a mature Baroque style, employing life-sized figures for the first time, here in the form of angels carrying instruments of the Passion, placed against a high wainscot with twisted columns.

Cortvriendt carried out only one project as an architect; the small but notable Onze-Lieve-Vrouw van Goede Bijstandkerk (Notre-Dame de Bon Secours) in Brussels.

Exterior view
Exterior view by

Exterior view

In the design of this church an attempt was made to graft the construction of a dome onto an axial plan in order to achieve greater spatial integration. The plan designed by Jan Cortvriendt is based on a hexagon, lengthened towards the entrance with two bays whose dimensions correspond with those of the sides of the hexagon. On the other side of the building the hexagon opens on three sides into a semi-circular choir and two flanking apses.

Exterior view
Exterior view by

Exterior view

In the design of this church an attempt was made to graft the construction of a dome onto an axial plan in order to achieve greater spatial integration. The plan designed by Jan Cortvriendt is based on a hexagon, lengthened towards the entrance with two bays whose dimensions correspond with those of the sides of the hexagon. On the other side of the building the hexagon opens on three sides into a semi-circular choir and two flanking apses.

Interior view
Interior view by

Interior view

In the design of this church an attempt was made to graft the construction of a dome onto an axial plan in order to achieve greater spatial integration. The plan designed by Jan Cortvriendt is based on a hexagon, lengthened towards the entrance with two bays whose dimensions correspond with those of the sides of the hexagon. On the other side of the building the hexagon opens on three sides into a semi-circular choir and two flanking apses.

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