DANLOUX, Henri-Pierre - b. 1753 Paris, d. 1809 Paris - WGA

DANLOUX, Henri-Pierre

(b. 1753 Paris, d. 1809 Paris)

French painter and draftsman. Orphaned at an early age, Henri-Pierre Danloux was raised by his uncle, an architect. Around 1770 he studied under a genre painter and a history painter. He followed one of them to Rome in 1775 and then traveled throughout Italy. Unlike most of his contemporaries, Danloux preferred drawing the Roman countryside and portraits instead of ancient monuments.

Settling in Lyon in 1783, Danloux established himself as a portraitist in the relaxed, informal manner of Jean-Baptiste-Siméon Chardin. After moving to Paris in 1785, his reputation grew as a portraitist to the aristocracy. Danloux paid great attention to rendering fabrics, embroidery, and accessories in both oils and chalk.

After another sojourn in Rome, Danloux returned to Paris in 1789, where he was commissioned to make portraits of the royal family. Soon the French Revolution forced him to flee to London. Influenced by fashionable English portrait painters like George Romney, Danloux excelled in family groups and portraits of children, whom he captured in natural, spontaneous poses. He also began painting history subjects. He returned to Paris in 1801 and spent his remaining years frustrated by his failure to establish himself as a history painter.

Baron de Besenval in His Study
Baron de Besenval in His Study by

Baron de Besenval in His Study

Portrait of Henry John Lambert
Portrait of Henry John Lambert by

Portrait of Henry John Lambert

In 1791, Danloux was forced to flee to London to escape the Revolution. In London, he swiftly became renowned in the city’s artistic and collecting circles alike. This elegant portrait is a testament to his popularity among the English aristocracy at the turn of the century.

Portrait of Jean-Louis Gustave d'Hautefort and his Sister
Portrait of Jean-Louis Gustave d'Hautefort and his Sister by

Portrait of Jean-Louis Gustave d'Hautefort and his Sister

This colourful double portrait of Jean-Louis Gustave d’Hautefort (1784-1850), and his sister, Marie-Th�rese-Thais d’Hautefort was executed by Danloux after his return to Paris from a sojourn in England where he absorbed the art of Henry Raeburn, who had a deep impact on his late work.

Portrait of Madame de l'Horme and Her Son
Portrait of Madame de l'Horme and Her Son by

Portrait of Madame de l'Horme and Her Son

The sitters in this portrait are Madame Barth�l�my Fleury de l’Horme (1774-1835) and her fourth son, Jean-Louis-Ernest (1800-1878). Between 1791 and 1816, she and her husband, a native of Lyon, had nine children - seven sons and two daughters - two of whom died in infancy.

Portrait of a Man
Portrait of a Man by

Portrait of a Man

This striking portrait shows an unidentified man, half-length, in a grey coat. His upraised profile with its prominent bushy eyebrows, aquiline nose and high forehead endows him with an outwardly unshakeable authority.

Portrait of the Artist's Wife and Son
Portrait of the Artist's Wife and Son by

Portrait of the Artist's Wife and Son

The painter here depicts his wife, Marie-Pierrette-Antoinette de Saint Redan, with their second and only son, Jules. born in 1790 at the Chateau de Passy, Burgundy. The newborn is positioned in the far background to the right, swaddled in blue silk in his cot, with only his head exposed. His mother, at the centre of the composition, rocks the cradle.

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