DERUET, Claude - b. 1588 Nancy, d. 1660 Nancy - WGA

DERUET, Claude

(b. 1588 Nancy, d. 1660 Nancy)

French painter. As a young man he went to Italy, where he executed a small fresco in the Villa Borghese, Rome. He seems to have learned little from his Italian sojourn, however, and almost all the influences on his style are traceable to his native Lorraine. He was the favourite court painter of Duke Henry II of Lorraine and also of Louis XIII of France, whose drawing master he became. A touching record of this latter relationship survives in the drawing by Louis XIII of Deruet in the Musée Historique Lorrain at Nancy. None of Deruet’s important decorations for the Lorraine court survive, and his frescoes for the Carmelite church were destroyed with the building during the Revolution of 1789.

Deruet had the distinction of being the master of Claude Lorrain for the year 1626-27. The contract of Claude’s apprenticeship survives, but it was only on the completion of that year that Deruet began the Carmelite frescoes. Claude almost certainly left immediately, as he is recorded in Rome a few months later.

The only important commissioned pictures from Deruet’s hand to survive are the four vast canvasses of Elements at Orléans, commissioned by Cardinal Richelieu, and the Rape of Sabines (Alte Pinakothek, Munich) offered to La Ferté in 1651 by the municipality of Nancy.

An Allegory of Love
An Allegory of Love by

An Allegory of Love

This allegory depicts twelve noblewomen seated in a garden, each holding an arrow.

Equestrian Portrait of Mme de Saint-Baslemont
Equestrian Portrait of Mme de Saint-Baslemont by

Equestrian Portrait of Mme de Saint-Baslemont

This impressive equestrian portrait glorifies the spirit of resistance of Alberte-Barbe d’Ernecourt (1606-1660), wife of Jean-Jacques de Haraucourt, lord of Saint-Baslemont. The couple lived in the castle of Neuville-en-Verdunois until the departure of Haraucourt for the war, alongside the Duke of Lorraine, Charles IV, in 1632.

After the extension of the Thirty Years War to the whole of Europe, Madame de Saint-Baslemont trains the inhabitants of the surrounding villages in combat and opposes the attempts of looting and exaction carried out by the armies and bands of mercenaries crossing the Neuville area. Pursuits of cattle thieves, release of hostages, rescue operations for soldiers in danger, this are the among the episodes the painter represents in the form of sketches, in the background of his painting.

Fire
Fire by

Fire

Deruet was for many years official painter to the Duke of Lorraine and director of his court festivities. he is an interesting phenomenon in that he went on working till his death in 1660 in a style that was already out of date by nearly thirty years.

The present painting is part of a series representing the Four Elements (Air, Earth, Fire, Water). They were painted for the cardinal’s château at Richelieu near Orl�ans some time before 1642 (in which year the cardinal died). The emphasis of the four canvasses is entirely decorative. The Element of Fire is particularly dramatic, and depicts one of the elaborate firework displays popular at the time. The Elements conform very closely to the aesthetic spirit of the last years of the reign of Louis XIII who died in 1643.

Suggested listening (streaming mp3, 18 minutes):

Handel: Fireworks Music

Fire (detail)
Fire (detail) by

Fire (detail)

The painting is part of a series representing the Four Elements (Air, Earth, Fire, Water). They were painted for the cardinal’s château at Richelieu near Orl�ans some time before 1642 (in which year the cardinal died). The emphasis of the four canvasses is entirely decorative. The Element of Fire is particularly dramatic, and depicts one of the elaborate firework displays popular at the time. The Elements conform very closely to the aesthetic spirit of the last years of the reign of Louis XIII who died in 1643.

Suggested listening (streaming mp3, 18 minutes):

Handel: Fireworks Music

Portrait of a Man with Blue Sash
Portrait of a Man with Blue Sash by

Portrait of a Man with Blue Sash

Road to Calvary
Road to Calvary by

Road to Calvary

Deruet was a prolific and highly successful painter, working for each of the warring courts of Lorraine and France, and hi would have employed a large studio of assistants. This picture, painted on a thin octagonal copper plate, could be a work of an artist who worked with him, or for him in his large and busy studio.

Triumph of Louis XIII
Triumph of Louis XIII by

Triumph of Louis XIII

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