DIETRICH, Christian Wilhelm Ernst - b. 1712 Weimar, d. 1774 Dresden - WGA

DIETRICH, Christian Wilhelm Ernst

(b. 1712 Weimar, d. 1774 Dresden)

German painter and etcher. He received his first training from his father, Johann Georg Dietrich (1684-1752), a court painter at Weimar, and was sent to Dresden at the age of 13 to study under the landscape painter Johann Alexander Thiele. In 1728 they travelled to Arnstadt to paint landscapes for stage sets. In 1730 Thiele presented his pupil to Frederick-Augustus I, Elector of Saxony, as a prodigy; Frederick-Augustus appointed him court painter and entrusted him to his minister Heinrich, Graf von Brühl, for whom he worked on some decorative paintings. From 1732 he used the name ‘Dietricy’ to sign his paintings.

He travelled in Germany from 1734 and may have visited the Netherlands, the source of his artistic inspiration. He returned from his travels in 1741 and was appointed court painter to Frederick-Augustus II, Elector of Saxony, who sent him to Italy in 1743 to study. He visited Venice and Rome but returned to Dresden in 1744. In 1748 he was appointed Inspector of the Gemäldegalerie in Dresden, which had recently become more influential because of important purchases from Italy. The following period saw Dietrich at the height of his success, and his works were in demand all over Europe.

Comedic Performance in a Park Setting
Comedic Performance in a Park Setting by

Comedic Performance in a Park Setting

Holy Family in a Carpenter's Shop
Holy Family in a Carpenter's Shop by

Holy Family in a Carpenter's Shop

A diverse and eclectic artist, Christian Wilhelm Ernst Dietrich was highly skilled in imitating painters from a variety of different schools and time periods with great facility and technical knowledge. His most notable reproductions were inspired by the works of artists such as Adriaen van Ostade, Sebastiano Ricci, Rembrandt, Allart van Everdingen, Titian and Salvator Rosa. The present painting reflects the influence of Sebastiano Ricci, whose works Dietrich likely encountered on his trip to Italy in 1743.

Hungarian Rat Poison
Hungarian Rat Poison by

Hungarian Rat Poison

In the second half of the eighteenth century, a cult for the exotic “Eastern world” emerged in Central Europe, an inspiration for this was found in the works of Rembrandt and his circle. Figures from Old Testament scenes and from tronies (studies of different characters or facial expressions), along with their oriental-style or otherwise unusual dress, appear in the works of German artists, among them Christian Wilhelm Ernst Dietrich.

Italianate Landscape
Italianate Landscape by

Italianate Landscape

The painting depicts an Italianate mountainous landscape with a shepherds’ family with their herd and a dog resting near.

Man in Oriental Costume
Man in Oriental Costume by

Man in Oriental Costume

This painting was executed in the manner of Rembrandt.

The Sacrifice of Isaac
The Sacrifice of Isaac by

The Sacrifice of Isaac

This painting is based on an engraving by Rembrandt. It shows an earlier episode in the biblical story when upon Isaac’s question, “Behold the fire and the wood: but where is the lamb for the burnt offering?” Abraham answered: “My son, God will provide a lamb himself for the burnt offering.”

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