EISENLOEFFEL, Jan - b. 1876 Amsterdam, d. 1957 Laren - WGA

EISENLOEFFEL, Jan

(b. 1876 Amsterdam, d. 1957 Laren)

Dutch silversmith and designer. After studying at the Rijksnormaalschool from 1892 to 1896, Eisenloffel joined the silversmiths Hoeker & Son, Amsterdam, designing works in revivalist styles. Following eight months in St Petersburg, where he learnt enamelling and niello techniques, Eisenloffel developed his own style. In 1900 he became artistic director of the newly installed metal workshop at the Amstelhoek factory, working in his new style for the first time. The Amstelhoek factory was founded in 1897 by W.C. Hoeker (of Hoeker & Son), initially as a ceramic factory, the metalwork and furniture departments being later additions. Hoeker wished to produce modern designs in non-precious metals such as copper and brass; the production of silver at Amstelhoek was always associated with his family’s firm. The factory name was derived from the telegraphic address: Amsterdam-Hoeker.

In September 1900, on the initiative of the architect Hendrik Petrus Berlage and the designer Jacob van den Bosch (1868-1948), a new design gallery, het Binnenhuis, opened in Amsterdam as a retail outlet for the applied arts, with Eisenloffel among the collaborators. Eisenloffel’s metalwork enjoyed wide distribution through Amstelhoek displays at het Binnenhuis, but in January 1902, he left Amstelhoek and het Binnenhuis to run his own workshop, designing copper and brass objects for machine production. In 1903 he founded a rival interior design firm, De Woning, together with Willem Penaat (1875-1957), who had directed the furniture department at Amstelhoek.

Eissenloef designed numerous utility objects, including dinnerware, lamps, clocks and candlesticks. Besides everyday and luxury articles, he also undertook larger items such as wall fountains, fireplaces, and grandfather clocks. His pieces won awards at arts and crafts exhibitions in Turin (1902), Dresden (1904) and Munich (1908).

His later work shows influences from Eastern cultures, in line with the international Art Deco style.

Coffee pot
Coffee pot by
Kettle and stand
Kettle and stand by

Kettle and stand

The kettle is of hemispherical form, the hinged handle with ebony insert. The floor stand is complete with a burner. Both kettle and stand employ rivets in a decorative as well as functional way.

Tea set
Tea set by
Teapot with rechaud
Teapot with rechaud by

Teapot with rechaud

After the turn of the century, Eissenloeffel worked increasingly with base metals, his preference being for brass and copper. He made plain, solid utensils that are articulated only by grooves and mostly designed in basic stereometric forms. The functional shapes of his containers, pots, and goblets served as models for modern household utensils.

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