FANCELLI, Cosimo - b. ~1620 Roma, d. 1688 Roma - WGA

FANCELLI, Cosimo

(b. ~1620 Roma, d. 1688 Roma)

Italian sculptor. He was one of four sons of Carlo Fancelli (c. 1566-1640), a stonecutter from Arezzo. He and his older brother, Giacomo Antonio Fancelli (1619-71), also a sculptor, were trained by Bernini and often worked together on the same projects. Cosimo may have helped his brother to carve reliefs for the decoration of pilasters in the nave of St Peter’s, Rome (1647), and the colossal statue of the Nile for the Fountain of the Four Rivers (1648-50; Rome, Piazza Navona); both projects were designed and supervised by Bernini. Cosimo also worked closely with Pietro da Cortona from 1648 until the latter’s death in 1669, and between 1667 and 1669 with Bernini, Carlo Rainaldi and Johann Paul Schor. He was one of the most prolific Roman sculptors of his generation, and he specialized in providing stucco sculpture for large projects designed by architects and decorators. His style was derived from that of the artists with whom he collaborated.

Angel with the Sudarium
Angel with the Sudarium by

Angel with the Sudarium

One of the last major projects by Bernini was the angels for the Ponte Sant’Angelo in Rome. Planned and executed between 1667 and 1669, the suite of eight, and subsequently ten, angels was designed by Bernini for Pope Clement IX as an embellishment to the ancient Roman Pons Aelius, which formed the principal link between the Vatican and the city. The major sculptors of the day were chosen to carve individual statues of the angels, each holding an instrument of the Passion of Christ, with two reserved for Bernini himself.

Bernini transferred to Fancelli the execution of the angel with the Sudary. This angel shows, in the somewhat voluptuous forms and the type of the head, how indebted Fancelli was to Pietro da Cortona while at the same time he paid tribute to the current Berninesque manner.

Angel with the Sudarium
Angel with the Sudarium by

Angel with the Sudarium

One of the last major projects by Bernini was the angels for the Ponte Sant’Angelo in Rome. Planned and executed between 1667 and 1669, the suite of eight, and subsequently ten, angels was designed by Bernini for Pope Clement IX as an embellishment to the ancient Roman Pons Aelius, which formed the principal link between the Vatican and the city. The major sculptors of the day were chosen to carve individual statues of the angels, each holding an instrument of the Passion of Christ, with two reserved for Bernini himself.

The degree to which Bernini’s collaborators followed his intentions varied markedly, a reflection of the distance between the aging sculptor and his successors. Part of the disparity can be explained by his working method: Bernini left it to studio draughtsmen to make copies of his initial sketches.

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