FEDDES, Pieter - b. ~1585 Harlingen, d. ~1634 Harlingen - WGA

FEDDES, Pieter

(b. ~1585 Harlingen, d. ~1634 Harlingen)

Pieter Feddes (Pieter van Harlingen), Dutch etcher, painter and poet. Like his fellow townsman Simon Frisius, Feddes was one of the few early 17th-century Dutch printmakers to practice etching rather than engraving. He etched in soft-ground but sometimes also used the engraver’s burin on his plates. The earliest dated prints of 1611-15 include the frontispiece for a drawing booklet and a number of apparently related, etched copies of drawings. These sheets were associated in a hypothetical reconstruction of the second oldest drawing book in the Netherlands. His other etchings depict allegories, biblical and mythological scenes, (royal) portraits, townscapes and Frisian costumes, from which the book illustrations stand out as a group. They were published mainly in Leeuwarden (1614, 1619), where he lived from 1615, and Fraeneker (1619, 1620 and 1622). Of his paintings, a number of portraits have survived as well as a Diana and her Nymphs Surprised by Satyrs (Hoorn, Westfries Museum).

Franeker University
Franeker University by

Franeker University

Leiden was the first city to set up its university in Low Countries (1575, also opening the Staten College, which offered accommodation to students from every part of Europe. Universities in Franeker in Friesland (1585), Groningen (1614), Utrecht (1632) and Harderwijk (1648) soon followed. All had four faculties, enjoyed the right to confer doctorates and were maintained by the provincial prefecture.

Kitchen Scene
Kitchen Scene by

Kitchen Scene

Pieter Feddes (Pieter van Harlingen) was a Dutch portrait and genre painter.

Portrait of a Lady
Portrait of a Lady by

Portrait of a Lady

The lady depicted standing three-quarter length beside a table is probably a member of the Rippenda family.

Pygmalion
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Pygmalion

This print by the forgotten Frisian artist shows the Greek sculptor Pygmalion, who fell in love with one of his statues. The caption warns the viewer not to imitate Pygmalion by falling in love with your own work, but rather to love one another.

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