FORAIN, Jean-Louis - b. 1852 Rheims, d. 1931 Paris - WGA

FORAIN, Jean-Louis

(b. 1852 Rheims, d. 1931 Paris)

French painter, lithographer, and caricaturist. One of the foremost etchers of his day, Forain is best known for his political cartoons and social satires, particularly of the worlds of theater and courtroom. His work combines the realism of Manet with the satire of Daumier, it enlivened a large number of publications, including Vie moderne, Cravache, Parisien, Figaro, and the New York Herald. In 1898 he founded with Caran d’Ache the short-lived Psst.

He exhibited in four of the Impressionist exhibitions between 1879 and 1886. Forain’s palette darkened as he became older, is work was generally of a somber range of colour similar to Daumier’s.

He had been a friend and disciple of Degas, and contributed to four of the last Impressionist exhibitions 1879-1886. But his subjects, and the way in which he treated them, became more sombre after the turn of the century. In his later years after 1909 he produced mainly religious lithographs and etchings.

A Box at the Opéra
A Box at the Opéra by

A Box at the Opéra

Like Degas, the youthful Jean-Louis Forain had a preference for theatre and restaurant motifs. He was one of the strongest artistic personalities among Degas’s followers. Under the influence of Goya and Daumier he mainly did graphic work as magazine and book illustrations or in series. As a painter he had mastered Impressionist techniques, having a precise touch for light conditions and a subtle flair for the structural division of a visual space. His small format scenes of the entertainment world used distinctive contrasts of dark and light or of strong, glowing colour, and combined sketchy adumbrations with more substantial blocks of solid colour that had their own patchwork, asymmetrical values.

At the Races
At the Races by
Ball at the Paris Opéra
Ball at the Paris Opéra by

Ball at the Paris Opéra

In the Café de la Nouvelle-Athènes
In the Café de la Nouvelle-Athènes by

In the Café de la Nouvelle-Athènes

Like Degas, the youthful Jean-Louis Forain had a preference for theatre and restaurant motifs.

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