FÜGER, Friedrich Heinrich - b. 1751 Heilbronn, d. 1818 Wien - WGA

FÜGER, Friedrich Heinrich

(b. 1751 Heilbronn, d. 1818 Wien)

German painter. At the age of eight he was already painting miniature portraits. In 1764 he entered the Hohe Karlsschule in Stuttgart and received drawing lessons from Nicolas Guibal. Overawed by the great historical paintings in the ducal gallery, he lost heart and moved to Halle to study law; but in 1771 public demand for his miniatures encouraged him to return to painting, and in that year he moved to Leipzig, to the school of Adam Friedrich Oeser, where he became acquainted with Classical art.

Returning from this two-year training, he was introduced to the works of the Italian Renaissance by Guibal. His fresh and natural miniature portraits on ivory remained in demand; portraits of his parents (1774; Vienna, Akademie für Bildende Kunst) also date from these years. During a stay in Dresden, Füger met the British Ambassador, Sir Robert Murray Keith (1730-95). In 1774 he followed him to Vienna, where Keith organized numerous portrait commissions at the Austrian court.

From 1774 lived in Vienna and was supported by the imperial court. Travelled to Rome and Naples and studied the Italian masters. In 1795 became head of the Academy and was head of the Imperial Picture Gallery in Vienna from 1806. He was the master of several Hungarian painters and he worked in Hungary, too.

Recognised as the most important portraitist and miniaturist among Austrian aristocrats and is also known as a painter of historical subjects. Influenced by Mengs he paved the way for Austrian classicism. While his miniatures are often painted in a surprisingly easy style with fascinating colour combinations, he generally adhered to a strict style in his paintings, which clearly displayed his inclination to pathos and dramatic elements.

Alcestis Sacrifices Herself for Admetus
Alcestis Sacrifices Herself for Admetus by

Alcestis Sacrifices Herself for Admetus

This Neoclassical scene is based on the Athenian tragedy by Euripides. The ancient Greek playwright tells how Alcestis, a paragon of conjugal love, consented to take the place of her husband, King Admetus, when he was about to die. In the painting Admetus lies on his deathbed, and Alcestis, in a statuesque pose, discloses her intention to sacrifice herself for Admetus to the dismay of all assembled.

Bathsheba at the Bath
Bathsheba at the Bath by

Bathsheba at the Bath

The artist felt free to adjust the Biblical story (II Samuel, 11 2-5) according to his imagination.

Catherine of Alexandria before the Emperor Maxentius
Catherine of Alexandria before the Emperor Maxentius by

Catherine of Alexandria before the Emperor Maxentius

This painting is F�ger’s modello for his altarpiece in the parish church of Smolnik, then part of Hungary and now in Slovakia, which was completed in 1805.

Miniature of the Artist's Father
Miniature of the Artist's Father by

Miniature of the Artist's Father

F�ger’s fame arose originally from his miniature paintings. In January 1774 he returned briefly to his hometown Heilbronn where he painted two gouache miniatures portraying his parents. These miniatures were never completed. The present miniature depicts the artist’s father, J. Gabriel F�ger, pastor of Heilbronn.

Miniature of the Artist's Mother
Miniature of the Artist's Mother by

Miniature of the Artist's Mother

F�ger’s fame arose originally from his miniature paintings. In January 1774 he returned briefly to his hometown Heilbronn where he painted two gouache miniatures portraying his parents. These miniatures were never completed. The present miniature depicts the artist’s mother.

Portrait of Frederick Charles Joseph, Baron von Erthal
Portrait of Frederick Charles Joseph, Baron von Erthal by

Portrait of Frederick Charles Joseph, Baron von Erthal

Frederick Charles Joseph, Baron von Erthal (1719-1802) was the Last Elector and Archbishop of Mainz. This imposing miniature was painted in 1789, during the artist’s six month stay in the city of Mainz. The sitter is shown sitting on a throne wearing the badge of a Grand Master of the Teutonic Order.

Portrait of János Batsányi
Portrait of János Batsányi by

Portrait of János Batsányi

J�nos Bats�nyi was a significant poet of the age of Hungarian Enlightenment, and he was a member of the Hungarian Academy of Science.

Portrait of the Artist's Son
Portrait of the Artist's Son by

Portrait of the Artist's Son

This portrait represents Heinrich F�ger, the artist’s son, at the age of four. He is shown presenting his father with paintbrushes and palette - the tools of his trade.

Study for Two Female Figures Praying
Study for Two Female Figures Praying by

Study for Two Female Figures Praying

The composition is related to F�ger’s painting of the same subject entitled Die Andacht (1802-03), today in the Städtische Museen, Heilbronn.

Feedback