GAVARNI, Paul - b. ~1804 Paris, d. 1866 Paris - WGA

GAVARNI, Paul

(b. ~1804 Paris, d. 1866 Paris)

French caricaturist and illustrator, real name Guillaume Sulpice Chevalier. He was born in Paris and largely self-taught as an artist. He began his career as an engraver and after 1830 was a fashion illustrator. Subsequently he became a caricaturist, specializing in satiric studies of Parisian life, which he contributed to a number of Parisian periodicals, including the magazine Charivari. Among his better-known works are the series Les fourberies de femme en matière de sentiment (Treachery of Women in Matters of Sentiment) and Les lorettes (The Prostitutes).

Gavarni lived in London from 1847 to 1851; deeply moved by the economic misery of the poorer classes there, he thenceforth used his satiric approach to life to stress social problems.

The end of Gavarni’s career was not as publicly brilliant as the beginning. After his return from another trip to London, where he spent time observing the urban poor, he lived in semi-retirement, producing his last series in 1857-58. Much of his work from this time period is more somber, dark, nostalgic and moralistic.Gavarni was also a watercolorist and a noted illustrator of books. In all, Gavarni executed about 8000 drawings, lithographs, and watercolours.

Portrait of Edmond and Jules de Goncourt
Portrait of Edmond and Jules de Goncourt by

Portrait of Edmond and Jules de Goncourt

The brothers Edmond de (1822-1896) and Jules de (1830-1870) Goncourt collaborated on novels which originated the Naturalist school in France. Their “Journals” provide a fascinating picture of Parisian literary life in the 19th century.

Self-Portrait
Self-Portrait by

Self-Portrait

The portrait depicts the artist in a velvet jacket, holding a cigarette. (“Gavarni, en veste de velours, tenant une cigarette.” )

What a Dreadful Salon
What a Dreadful Salon by

What a Dreadful Salon

The emergence of illustrated journals after 1830 provided a site for caricaturists. Paul Gavarni, a bon vivant, exhibited a strong sympathy for the raffish society that he represented, something that comes out in the charm and elegance of his graphic style. He was very much the aesthetic bohemian.

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