GHISI, Giorgio - b. 1520 Mantova, d. 1582 Mantova - WGA

GHISI, Giorgio

(b. 1520 Mantova, d. 1582 Mantova)

Italian engraver. His teacher was probably Giovanni Battista Scultori, after whose designs and in whose style he engraved two Scenes from the Trojan War. His six earliest prints, from the early 1540s or before, are after designs by Giulio Romano. They are lightly engraved in rather flat perspective, the figures often silhouetted against dark backgrounds, the shading lines not necessarily defining volume, and with an effect of intense flickering light, in the style of Scultori.

Ghisi is recorded as being with Giovanni Battista Bertani in Rome during the reign of Pope Paul III (1534-49). There he may have met Antoine Lafréry, who published four of his engravings during the 1540s, and many others throughout his life. Probably after his return from Rome he made an engraving on ten separate plates after Michelangelo’s Last Judgement, his model probably being a drawing by Marcello Venusti. His 1550 visit to Antwerp made Ghisi an important link between Italian and northern engraving.

Ghisi and most of his Italian contemporaries were reproductive engravers, working from the designs of other artists.

Last Supper
Last Supper by

Last Supper

Giorgio Ghisi, an Italian engraver, worked in Hieronymus Cock’s workshop in Antwerp, producing large-scale prints after Italian Renaissance paintings, including Raphael’s Vatican frescoes. While in Antwerp, he also executed large-scale engravings after works by local Romanists, such as Lambert Lombard. The present Last Supper was engraved after Lambert Lombard. The engraving suggests Lombard’s close familiarity with Italian Renaissance art, especially with works by Raphael and Leonardo da Vinci.

Simon Deceiving the Trojans
Simon Deceiving the Trojans by

Simon Deceiving the Trojans

Sts Blaise and Catherine and St Sebastian
Sts Blaise and Catherine and St Sebastian by

Sts Blaise and Catherine and St Sebastian

This engraving was made after Michelangelo’s Last Judgment in the Sistine Chapel. The contemporary engraving shows St Catherine of Alexandria, holding the broken wheel with spikes protruding from its rim which was an instrument of her torture. It indicates that St Catherine was originally painted nude, looking up at a threatening Blaise hovering above her. Both were later painted over by Daniele da Volterra.

The Delphic Sibyl
The Delphic Sibyl by

The Delphic Sibyl

This print depicts the Delphic Sibyl from the series of Prophets and Sibyls after Michelangelo’s Sistine ceiling.

The Dream of Raphael
The Dream of Raphael by

The Dream of Raphael

The Judgment of Paris
The Judgment of Paris by

The Judgment of Paris

This famous engraving after a painting by Giovanni Battista Bertano (c. 1516-1576) is dense with allegorical details, which directly reflect the exegetical habit of contemporary authors.

The Prophet Ezekiel
The Prophet Ezekiel by

The Prophet Ezekiel

This print depicts the Prophet Ezekiel from the series of Prophets and Sibyls after Michelangelo’s Sistine ceiling.

The Prophet Ezekiel (detail)
The Prophet Ezekiel (detail) by

The Prophet Ezekiel (detail)

This print depicts the Prophet Ezekiel from the series of Prophets and Sibyls after Michelangelo’s Sistine ceiling.

Feedback