GOENEUTTE, Norbert - b. 1854 Paris, d. 1894 Auvers-sur-Oise - WGA

GOENEUTTE, Norbert

(b. 1854 Paris, d. 1894 Auvers-sur-Oise)

French painter and engraver. In 1871, after working briefly as a lawyer’s clerk, he entered the studio of Isidore Pils at the École des Beaux-Arts. When Pils died in 1875 Henri Lehmann took over the studio and Goeneutte left, moving to Montmartre. He was a regular customer in the Café de la Nouvelle-Athènes where he met Renoir and Manet, who strongly influenced his style of painting. He often modelled for Renoir (e.g. The Swing, Moulin de la Galette) and Marcellin Desboutin, who inspired his interest in engraving, etching and drypoint.

Although Goeneutte was associated with Manet, Degas and Renoir, and his work was influenced by them, for instance in the informality of his compositions, he never exhibited with the Impressionist group, preferring instead the official Salons. Every year from 1876 he exhibited several works in the Paris Salon, such as Boulevard de Clichy under Snow. He visited London in 1880, Rotterdam in 1887 and Venice in 1890.

He moved to Auvers for health reasons, and was treated by Dr. Gachet. Through the support of his brother Charles, he was able to continue his artistic career without financial difficulties.

Goeneutte was an accomplished engraver, illustrating books, including La Terre by Emile Zola, published in 1899, in addition to a great painter of portraits, landscapes and scenes of both working and upper-class Parisian life.

Boulevard Clichy under Snow
Boulevard Clichy under Snow by

Boulevard Clichy under Snow

Harbour of Honfleur
Harbour of Honfleur by

Harbour of Honfleur

In June 1881 Hippolyte Fortin has invited Goeneutte to accompany him in Normandy, in regions near the estuary of the Seine. Goeneutte, happy to leave Paris, will paint seascapes like the present painting.

The painting is signed and dated lower left: Norbert Goeneutte Honfleur, 1881.

Old Road to Auvers
Old Road to Auvers by

Old Road to Auvers

The small town of Auvers-sur-Oise became, during the late 19th century, a landscape subject for some of the period’s greatest artists. C�zanne, van Gogh, Guillaumin, in addition to Goeneutte, all captured views of the town’s country roads and thatched roof cottages.

Self-Portrait in the Artist's Library
Self-Portrait in the Artist's Library by

Self-Portrait in the Artist's Library

This intimate self-portrait shows the young artist seated in front of his own library. Stylistically it reminds one of early Degas, whom Goeneutte much admired.

The Flower Market
The Flower Market by

The Flower Market

Though Goeneutte was closely associated, and even influenced, by Manet, Renoir and Degas, he never chose to show with the Impressionist group, preferring the official venue.

The Lesson
The Lesson by
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