MULLER, Jan Harmensz. - b. 1571 Amsterdam, d. 1628 Amsterdam - WGA

MULLER, Jan Harmensz.

(b. 1571 Amsterdam, d. 1628 Amsterdam)

Dutch engraver, draughtsman and painter. He was the eldest son of Harmen Jansz. Muller (1540-1617), the Amsterdam book printer, engraver and publisher. The family business, called De Vergulde Passer (‘The gilded compasses’), was situated in Warmoesstraat, and Jan Muller worked there for many years. He may have been apprenticed to Hendrik Goltzius in Haarlem. Between 1594 and 1602 he is thought to have gone to Italy, where he stayed in Rome and Naples. He was related by marriage to the Dutch sculptor Adriaen de Vries, who was a pupil of Giambologna. He also maintained contacts with Bartholomeus Spranger and other artists in Prague, which under the rule of Emperor Rudolf II had become a flourishing centre of the arts. In 1602 he made an unsuccessful attempt to mediate on behalf of Rudolf II, who wanted to buy Lucas van Leyden’s Last Judgement (Stedelijk Museum De Lakenhal, Leiden).

Though he made engravings based on his own designs, most seem to have been after works by Haarlem Mannerists such as Goltzius or by Prague artists, including de Vries and Hans von Aachen.

When Harmen Jansz. Muller died, he left the entire stock of his shop, including a number of copperplates, to his bachelor son Jan.

Apollo
Apollo by

Apollo

This engraving was made after a statuette by Adriaen de Vries. The attribution of the statuette is based on the inscription at the bottom of the present engraving.

Couple Kissing
Couple Kissing by

Couple Kissing

After 1600, alongside the application of the pen and ink technique, Muller started to use chalk more frequently, which was better suited to enhancing painterliness. An example of this is the Couple Kissing, in which the red dominates of the three different colour chalks applied.

Lot and His Daughters
Lot and His Daughters by

Lot and His Daughters

An engraving of the same subject by Muller is also known.

Mercury and Psyche
Mercury and Psyche by

Mercury and Psyche

Muller made his engraving after a statue by Adriaen de Vries. He made it clear that the original was a statue through the inscriptions.

Mercury and Psyche, viewed from three sides
Mercury and Psyche, viewed from three sides by

Mercury and Psyche, viewed from three sides

In Italy Michelangelo and Giambologna, in the Netherlands Willem Danuelsz van Tetrode and Adriaen de Vries were among the earliest sculptors to have prints made after their works during their lifetime. Their sculptures were regarded as models to be imitated, which created a demand for reproductions. The criteria was to give a convincing suggestion of the spatial qualities of the model.

Muller made his three engravings after a statue by Adriaen de Vries. He made it clear that the original was a statue through the inscriptions, the execution, and above all by showing the bronze from three sides.

Feedback