NEYTS, Gillis - b. 1623 Gent, d. 1687 Antwerpen - WGA

NEYTS, Gillis

(b. 1623 Gent, d. 1687 Antwerpen)

Gillis (Aegidius) Neyts, Flemish painter, draughtsman and engraver. He was a landscape artist who is now mainly known for his Italianising and topographical drawings of sites throughout the Southern Netherlands. His subjects are either imaginary, idealised panoramas or topographical views of towns and villages. He created several etchings, sometimes after his drawings,

He was possibly a pupil of Lucas van Uden, however, there is no documentary evidence for this. In 1647 he was registered in the Guild of Saint Luke in Antwerp as a master painter and engraver. In 1650 he spent some time in Dordrecht.

From 1662 he is known to have been active in the Meuse valley around Namur and Huy where he made many studies of the landscapes. In 1665 he is registered as a poorter of Namur. He enjoyed the patronage of the local monasteries. He collaborated with Jacques Nicolai (1605-1678) who painted the figures in 18 landscapes commissioned by the convent of Croisiers in Namur.

Around 1680, he returned to Antwerp where he died in 1687.

Landscape with Horsemen
Landscape with Horsemen by

Landscape with Horsemen

Landscape with Ruins of a Castle
Landscape with Ruins of a Castle by

Landscape with Ruins of a Castle

Landscape with Six Windmills
Landscape with Six Windmills by

Landscape with Six Windmills

River Landscape with a Town in the Distance
River Landscape with a Town in the Distance by

River Landscape with a Town in the Distance

With its miniature style the work of Gillis Neyts conforms to the type of landscape conceived by Jan Brueghel the Elder. He is known more for his many drawings of landscapes and town views, executed in a fine pointillist technique, than for his paintings.

The Little Bridge
The Little Bridge by

The Little Bridge

With its miniature style the work of Gillis Neyts conforms to the type of landscape conceived by Jan Brueghel the Elder. He is known more for his many drawings of landscapes and town views, executed in a fine pointillist technique, than for his paintings.

The Ponte Lucano
The Ponte Lucano by

The Ponte Lucano

This drawing depicts figures on the road approaching the bridge with its square crenellated tower, with the round tomb of the Plautii at the further end, and a boat on the river.

Stretching across the banks of the Anio River, the graceful seven-arched bridge of Ponte Lucano connects past and present within a storied landscape. Dating from the 1st century B.C. and extending the ancient consular road of Via Tiburtina, Ponte Lucano served the road from Tivoli to Rome until the mid-20th century. The bridge is part of an archaeological landscape that includes remains of the mausoleum of Plautii (1st century B.C.)

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