OPIE, John - b. 1761 St Agnes, d. 1807 London - WGA

OPIE, John

(b. 1761 St Agnes, d. 1807 London)

English painter. He was born in a tin-mining district in Cornwall, where his father was a mine carpenter. He was launched in London in 1781 as the ‘Cornish Wonder’, an untutored natural genius, by John Wolcot, doctor, sometime pupil of Wilson, satirist (‘Peter Pindar’) and skilful impresario. The young Opie’s talent lay in painting peasant types in strong chiaroscuro, and he is best with old people and children, whom he treats with Rembrandtesque effects of light. His large compositions for Boydell’s Shakespeare Gallery, popular in engravings, were influential in establishing the costume-history piece, but once his Tenebrist vision was smothered by elegant face-painting, he declined into insipidity.

His second marriage, in 1798, to the novelist Amelia Alderson led to his painting more literary subjects. From 1799 he had a studio in Norwich. He became a Royal Academician in 1787, was made a Professor at the Royal academy in 1805 and gave a series of lectures, published posthumously in 1809.

Confession
Confession by
Peasant Family
Peasant Family by
Portrait of John Penwarne Jr.
Portrait of John Penwarne Jr. by

Portrait of John Penwarne Jr.

The sitter of this portrait, John Penwarne Jr. (b. 1758), is represented resting on a mossy bank, holding a book. John and his brother Edward were early patrons of Opie, and remained his firm and intimate friends until his death. Opie also painted portraits of several other members of the Penwarne family.

Portrait of Miss Frances Vinicombe
Portrait of Miss Frances Vinicombe by

Portrait of Miss Frances Vinicombe

Scene from Shakespeare's Winter's Tale
Scene from Shakespeare's Winter's Tale by

Scene from Shakespeare's Winter's Tale

This engraving was made after one of Opie’s large compositions for Boydell’s Shakespeare Gallery. It depicts Act II, scene III of Shakespear’s Winter’s Tale.

The Boydell Shakespeare Gallery was a three-part project initiated in November 1786 by engraver and publisher John Boydell (1720-1804) in an effort to foster a school of British history painting. Boydell planned to focus on an illustrated edition of William Shakespeare’s plays and a folio of prints, but during the 1790s the London gallery that showed the original paintings emerged as the project’s most popular element.

Self-Portrait
Self-Portrait by

Self-Portrait

This painting was executed for John Boydell.

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