ORDÓÑEZ, Bartolomé - b. ~1490 Burgos, d. 1520 Carrara - WGA

ORDÓÑEZ, Bartolomé

(b. ~1490 Burgos, d. 1520 Carrara)

The first Spanish sculptor to show clearly the impact of the Italian High Renaissance. On stylistic grounds, he is presumed to have trained in Florence, perhaps with Andrea Sansovino, and in 1514-15 he was in Naples, working with Diego de Siloe on the marble reredos of the Caracciolo Chapel in the church of S. Giovanni a Carbonara. In 1517 he undertook part of the carved decoration for the choir of Barcelona Cathedral, executing in wood and marble a series of reliefs in a pure Renaissance style. There followed a number of contracts for tombs, including that of Charles V’s parents, Philip I and Juana of Castile, commissioned by Charles himself for the chapel royal at Granada. Ordóñez died while carrying out these commissions with Italian assistants at Carrara; but his testament records that he had completed the greater part of the work, including most of the royal tomb. Although he died young (he was perhaps born c. 1490), his elegant and imaginative style was highly influential.

St John the Baptist
St John the Baptist by

St John the Baptist

The picture shows one of the corner statues of the tomb of Joanna the Mad and Philip the Handsome.

Bartolom� Ord�ñez was born in Burgos and is identified with the school of that city. However, his career took him to all parts of Europe: in 1515 he was in Barcelona; in 1517 in Italy, where he visited Florence, Genoa, and Naples. He may have met Michelangelo at Carrara. Various influences can be distinguished in his work, but especially the Italian. In 1519, Charles V ordered him to execute the tomb of Joanna the Mad and Philip the Handsome (d. 1506). To this end Ord�ñez opened a workshop in Carrara and completed the tomb in one year, just before his sudden death in 1520. The saints at each corner show the restraint with which Ord�ñez translated the lessons of Michelangelo.

Tomb of Don Felipe and Doña Juana
Tomb of Don Felipe and Doña Juana by

Tomb of Don Felipe and Doña Juana

Ord�nez worked first in Italy. In 1515 he was in Barcelona working on the choir of the cathedral. His well-composed reliefs and splendid marble panels, so severely monumental and harmonious, suggest the influence of Michelangelo. In about 1519 he must have executed the admirable tomb of Don Felipe and Doña Juana (Philip the Handsome and Joanna the Mad) in the Royal Chapel of Granada. A year later he died in Carrara, leaving behind him numerous admirers and imitators of his pure and noble style.

Tomb of Don Felipe and Doña Juana
Tomb of Don Felipe and Doña Juana by

Tomb of Don Felipe and Doña Juana

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