PALISSY, Bernard - b. 1510 Agen, d. 1590 Paris - WGA

PALISSY, Bernard

(b. 1510 Agen, d. 1590 Paris)

French glass painter and potter. He probably grew up in Gascony. He settled in Saintes in 1539 or 1540, after a decade of travelling all over France and neighbouring regions working as a peintre-vitrier (one who paints, assembles and installs stained-glass windows) and probably also as a surveyor. During the first decade of his time in Saintes he worked as a surveyor, glass painter and possibly as a portrait painter. In connection with the tax for the salt industry, he received a prestigious royal commission to survey and map the salt marshes of the Saintonge between May 1543 and May or June 1544. His real interest, however, was concentrated on the search for the means of making a white tin glaze such as one embellishing a cup that he had admired during his travels. This change in the direction of his artistic interests occurred when he first settled in Saintes, possibly in the house of Antoine de Pons, the King’s Lieutenant in the Saintonge, and Palissy’s lifelong friend and patron.

Palissy’s experiments were so practical and wide-ranging that by the time he had developed a viable formula for tin glaze and the proper kiln and kiln equipment to make white glazed pottery, he had also worked out formulae for other glaze colours and, by mingling them, had produced his terres jaspées, ceramic wares with a glaze resembling the jasper, chalcedony and coloured, mottled stone then being introduced into architecture, furniture and goldsmiths’ work. A ‘vase de phorphire’ listed on an inventory in 1556 among the enamelled earthenwares in the Paris hôtel of the Constable of France, Anne, Duc de Montmorency, was no doubt one of Palissy’s terres jaspées.

In 1565, Catherine de Medicis and her young son, King Charles IX, probably visited Palissy in his workshop during a nearly two-year tour of France. It was then that Catherine is presumed to have commissioned Palissy to design and construct a large garden grotto for her Palace of the Tuileries, which would be built in Paris near the Louvre, on the grounds of a tile works (tuileries) purchased by François I in 1518. Palissy moved his family to Paris in 1565 and established a workshop there, but was unable to complete the grotto installation because the palace project was abandoned in 1572.

After religious civil wars between Catholics and Protestants culminated in the Saint Bartholomew’s Day Massacre in 1572, Palissy, fearing for his life, left one of his sons, Mathurin, to manage the Parisian workshop and moved the rest of his family to Sedan, where he established a second atelier. There Palissy continued to receive orders for ceramics and devoted much time to exploring and refining his views on natural history. Around 1576 or 1577 Palissy returned to Paris to live.

In 1585 king Henri III made the practice of Protestantism punishable by death and imprisoned those who had previously followed that faith. In 1588 Palissy was incarcerated in the Bastille. In 1590 he died there of malnourishment and vermin-borne disease.

Foot-bowl in Rustic Style
Foot-bowl in Rustic Style by

Foot-bowl in Rustic Style

This oval bowl bears a decoration in rustic style, developed by Palissy and much copied. Typical to Palissy’s oval bowls, it is divided up into an island, water and shore area, featuring scenes of naturally shaped animals. A writhing snake occupies the centre of glimmering blue based composition. The water area is inhabited by fishes and frogs marked by wavy lines. The edge of the bowl, that pictures shore life, is inhabited by lizards, frogs, crabs, mussels, leaves, etc.

Oval platter
Oval platter by

Oval platter

Bernard Palissy experimented with ceramic life-casts in France. He was one of the few practitioner of the so-called rustic style. Natural objects were the subjects of his terracotta plates and, on a larger scale, garden grottos. Using an innovative white tin glaze that permitted multiple colours to be fired at the same time, Palissy’s jasper wares were more than a simple exposition of natural forms. His platter becomes a tableau for a pond or stream, into which the viewer peers down. A water snake slithers through the centre of the dish, its scales and markings meticulously replicated. Nearby, swimming fish breach the surface. Lizards, frogs, crayfish, shells, ferns, flowers and floating water plants, some cast and some modelled, complete the composition.

Platter in the Shape of a Skiff
Platter in the Shape of a Skiff by

Platter in the Shape of a Skiff

Bernard Palissy is known to posterity as the author of treatises, an inspired potter, and a Huguenot who died miserably in a dungeon in the Bastille. The French genre ‘rustiques figulines’, potteries enriched with vegetal and reptile forms cast from nature, was probably invented by him.

Rustic Ewer
Rustic Ewer by

Rustic Ewer

This piece is a reinterpretation of a simple form of ewer, of the kind often found in the sphere of goldsmithry, in a manner that the potter Bernard Palissy developed in the middle of the 16th century and that he called rustiques figulines (rustic vessels). The vogue for this kind of decoration over the course of the 16th century and into the 17th meant that Palissy was widely imitated and that there are numerous such “rustic” pieces: bowls, plates, dishes.

Feedback