PALOMINO, Acislo Antonio - b. 1655 Bujalance, Córdoba, d. 1726 Madrid - WGA

PALOMINO, Acislo Antonio

(b. 1655 Bujalance, Córdoba, d. 1726 Madrid)

Spanish historical painter and writer on art, called the Spanish Vasari. (His full name is Acisclo Antonio Palomino de Castro y Velasco.) He was born of good family and studied philosophy, theology and law in Cordoba, receiving also lessons in painting from Valdes Leal, who visited Córdoba in 1672, and afterwards from Alfaro (1675). He moved to Madrid in 1678 and married soon afterwards. In 1688 he was appointed painter to the king. He visited Valencia in 1697, and remained there three or four years devoting himself to fresco painting. Between 1705 and 1715 he resided for considerable periods at Salamanca, Granada and Córdoba. After the death of his wife in 1725 Palomino took priests orders.

He painted frescoes and easel pictures in Valencia, Córdoba, and Granada, but he is famous chiefly for his history of art (in 3 volumes, 1715-24), the third volume of which contains a wealth of biographical material concerning Spanish artists of the 16th and 17th centuries. It was partially translated into English in 1739; an abridgment of the original was published in London in 1742, and afterwards appeared in a French translation in 1749. A German version was published at Dresden in 1781, and a reprint of the entire work at Madrid in 1797.

Allegory of Air
Allegory of Air by

Allegory of Air

This painting belongs to the series The Four Elements painted in the early eighteenth century for the Buen Retiro Palace in Madrid. The series consists of Air (by Palomino), Water (by Ezquerra), Earth (by Vaccaro) and Fire (by Palomino).

Air, one of the four elements, is embodied by the goddess, Juno, who sits in a carriage drawn by the peacocks that customarily symbolize her. She is accompanied by the nymph, Iris, who frames the scene with her marvelous rainbow. On earth, under a leafy tree, two cupids play with soap bubbles, alluding to the ethereal nature of the element in question.

Allegory of Fire
Allegory of Fire by

Allegory of Fire

This painting belongs to the series The Four Elements painted in the early eighteenth century for the Buen Retiro Palace in Madrid. The series consists of Air (by Palomino), Water (by Ezquerra), Earth (by Vaccaro) and Fire (by Palomino).

The allegory takes place in a setting of dark foliage that partly conceals a grotto - the forge of Vulcan - while the sea horizon on the other side is dominated by the crater of a volcano. In the foreground Venus, accompanied by Cupid and some putti, pays a visit to her husband’s forge.

Assumption of the Virgin
Assumption of the Virgin by

Assumption of the Virgin

This painting is an oil sketch of the fresco which Palomino painted in 1696 in the Oratory of the Town Hall in Madrid. Palomino painted two other frescoes representing the same subject, both destroyed, one in the chapel of the San Juan de Dios hospital, and another in the El Paular Carthusian monastery near Segovia.

Ecce Homo
Ecce Homo by

Ecce Homo

The emotional intensity of this scene is heightened through the removal of the figure from any narrative to create a purely devotional image. It seems likely that Palomino’s design was inspired by Titian’s celebrated treatment of the subject on slate painted for the Emperor Charles V, which was in the Escorial by 1574. Palomino’s first-hand knowledge of Titian’s original would explain the similar pose of Christ adopted here, turned to the right, with his head bowed, set against a dark background.

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