PASSE, Crispijn van de - b. ~1565 Zeeland, d. 1637 Utrecht - WGA

PASSE, Crispijn van de

(b. ~1565 Zeeland, d. 1637 Utrecht)

Netherlandish printmaker. He was educated in the printing and graphic centre of the sixteenth century, Antwerp, and immediately began his professional career. At the latest in 1585, de Passe became a member of the Guild of St. Luke, the guild of artists and painters. He worked as an engraver for various publishing houses. When Catholic Spain conquered Antwerp in 1588, Crispijn de Passe left with his family, going into exile in Cologne. There he founded his own publishing house. De Passe published his own designs, which were engraved by himself or other members of his studio. Crispijn de Passe’s emphasis in his graphic works was on portraits and genre graphics. In 1611, de Passe left Cologne for religious reasons; this time he relocated his studio to Utrecht. There with Aernout van Buchell (Buchelius), de Passe continued his successful work, which was later taken over by his children.

The de Passe children worked later on their own in Paris, London, and Copenhagen, carrying the international fame of the de Passe studio with them. In 1637 Crispijn de Passe died. His only remaining child, his eldest son Crispijn, was left to continue his father’s work. Crispijn de Passe the Younger resettled in Amsterdam but was unable to repeat the success of his father’ business; he died in poverty in 1670.

A Drawing School
A Drawing School by

A Drawing School

This engraving is from Passe’s drawing book ‘Van’t licht der teken en schilderconst,’ published in 1643 in Amsterdam, is a visual record of the activity in a drawing academy at which both amateurs and advanced artists could study.

Backgammon Players
Backgammon Players by

Backgammon Players

This engraving was made after a painting by Dirck van Baburen. It carries a Latin inscription, “Irarum Causas Fugito” (Flee from the causes of anger) along with a Dutch one, which in translation reads: “A dicer and gamer is a wretch, he drinks and squanders his money and beats his wife.” The moralizing associations invoked by these inscriptions parallel those found in other engravings and literary texts.

Discordia
Discordia by

Discordia

This is one of the Netherlandish prints depicting disorderly households with parents neglecting their duties and children.

Fortitude
Fortitude by

Fortitude

The allegorical figure of Fortitude is represented with a column, the traditional symbol of fortitude, namely strength of character.

Frontispiece
Frontispiece by

Frontispiece

This engraving is on the frontispiece Crispijn van de Passe’s ‘Miroir des plus belles courtisans de ce temps’, published in Amsterdam, 1631. It depicts a brothel scene.

Feedback