PERRY, Lilla Cabot - b. 1848 Boston, d. 1933 Hancock - WGA

PERRY, Lilla Cabot

(b. 1848 Boston, d. 1933 Hancock)

Lilla Cabot Perry (née Lilla Cabot), American painter, one of the first American artists to embrace Impressionism during the late 19th century. Better known for her artwork, she also wrote four volumes of poetry. Although she had no formal art training until age 36, Lilla Cabot Perry became a professional painter and a devotee of French Impressionism with a formidable body of work. She developed a solid reputation during her lifetime as a painter, helping to promote Impressionism in the U.S. and Japan.

In 1874, she married Thomas Sergeant Perry, a Harvard alumnus scholar and linguist, and added his name. After marrying, Perry and her family traveled widely, living in Paris from 1887 to 1889, where Lilla studied painting. She also trained in Munich and copied old-master paintings in Italy, England, and Spain. It was in 1889, when she was 41 years old, that Perry saw her first Impressionist painting (a work by Claude Monet). Perry sought out the artist and became his close friend. For nine summers the Perrys rented a house at Giverny, near Monet’s, and although he never took pupils, he often advised Perry on her art.

Between 1898 and 1901, the family resided in Japan. This experience gave Perry a rare opportunity to study the sources of Impressionism notably Japanese fabrics and prints in depth. There, she produced some 80 paintings; she continued to be prolific throughout her life.

Perry exhibited her work at the Paris Salon and the World’s Columbian Exposition in Chicago in 1893, and won medals for her paintings at important exhibitions in Boston, St. Louis, and San Francisco. She was active in numerous arts organizations and published four well-received volumes of verse.

Landscape in Normandy
Landscape in Normandy by

Landscape in Normandy

Monet's Garden at Giverny
Monet's Garden at Giverny by

Monet's Garden at Giverny

Open Air Concert
Open Air Concert by

Open Air Concert

This canvas is one of the three plein-air compositions, painted at the home of friends with whom the Perrys resided for the summer in Milton, Massachusetts near Boston. Perry frequently used her three daughters as models: Margaret (born 1876) shown here playing the violin, Alice (born 1884) between her two older sisters, and Edith (born 1880) looking out at the viewer.

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