POCCIANTI, Pasquale - b. 1774 Bibbiena, d. 1858 Firenze - WGA

POCCIANTI, Pasquale

(b. 1774 Bibbiena, d. 1858 Firenze)

Italian architect. After the death of his father, he came to Florence with an uncle at the age of ten. From 1791 he was enrolled there at the Accademia Fiorentina di Belle Arti in the architectural class. His teacher was Gaspare Maria Paoletti (1727-1813).

In 1794, scarcely twenty years, he finished his studies and entered the Scrittoio delle Fabbriche, a technical department, which, on behalf of the Grand Duchy of Tuscany, directed both civilian and military construction projects.

From 1806 he worked for the city of Livorno, first as an assistant to Neri Zocchi, then from 1809 as an architect. From 1817, he was the first architect to be the director of Fabbriche and remained until his retirement in 1835. Afterwards, he worked as a consultant architect for the Grand Duke until 1849. From 1849 he was a member of the Direzione dei Lavori d ‘Acque e Strade e delle Fabbriche civili dello Stato and from 1849 member of the Consiglio d’Arte.

Poccianti was strongly influenced by the Florentine Renaissance. He developed a personal style, mainly through the numerous public assignments he performed. He combined the simplicity of classical architecture with abstract forms of engineering architecture, in which the structure of the building is emphasized against ornament.

The Cisternone, a water reservoir built between 1828 and 1833 in Livorno, is considered to be Poccianti’s main activity. It is part of an aqueduct, which leads from Colognole to Livorno, near Collesalvetti.

Exterior view
Exterior view by

Exterior view

Over a portico with eight columns rises a boxed half-dome. The building is reminiscent of ancient Roman cisterns and French Revolutionary architecture. Other buildings related to the water supply in Livorno are Cisternino di Citta (1848) and Cisternino di Pian di Rota (1852).

Exterior view
Exterior view by

Exterior view

Over a portico with eight columns rises a boxed half-dome. The building is reminiscent of ancient Roman cisterns and French Revolutionary architecture. Other buildings related to the water supply in Livorno are Cisternino di Citta (1848) and Cisternino di Pian di Rota (1852).

Exterior view
Exterior view by

Exterior view

During its long history, the Villa Poggio Imperiale in Arcetri, Florence has often been at the centre of Italy’s turbulent history, and has been rebuilt and redesigned many times. First documented in 1427 it was extended over the following centuries.

The present monumental principal fa�ade was created in 1807 for the newly elevated Grand Duchess of Tuscany, Elisa Bonaparte. The architect chosen was Giuseppe Cacialli (1770-1828), who designed the great facade using drawings by Pasquale Poccianti, an architect better known for his later work, the Cisternone of Livorno.

Despite the prominence of the centre projection, horizontal elements dominate the design. They include not just the great length of the fa�ade, clear division of floor levels and continuous cornice, but also the remarkably elongated pediment. The upper floor was added in the second phase of building work by Giuseppe Cacialli.

The photo shows the main fa�ade of the building.

Exterior view
Exterior view by

Exterior view

During its long history, the Villa Poggio Imperiale in Arcetri, Florence has often been at the centre of Italy’s turbulent history, and has been rebuilt and redesigned many times. First documented in 1427 it was extended over the following centuries.

The present monumental principal fa�ade was created in 1807 for the newly elevated Grand Duchess of Tuscany, Elisa Bonaparte. The architect chosen was Giuseppe Cacialli (1770-1828), who designed the great facade using drawings by Pasquale Poccianti, an architect better known for his later work, the Cisternone of Livorno.

Despite the prominence of the centre projection, horizontal elements dominate the design. They include not just the great length of the fa�ade, clear division of floor levels and continuous cornice, but also the remarkably elongated pediment. The upper floor was added in the second phase of building work by Giuseppe Cacialli.

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