RAMBOUX, Johann Anton Alban - b. 1790 Trier, d. 1866 Köln - WGA

RAMBOUX, Johann Anton Alban

(b. 1790 Trier, d. 1866 Köln)

German painter and lithographer. He studied with a former Benedictine monk Abraham (Jean Henri Gilson) in Florenville, Luxembourg from 1803 to 1807. In 1807-12 he was in Paris as a pupil of Jacques-Louis David, whose portraiture influenced him decisively. In 1813 he returned to his native town Trier.

In 1815 he was at the Academy in Munich where he was the student of the sculptors Franz and Konrad Eberhard. In early 1816 Ramboux went to Rome, where he worked until June 1822. There he joined the Nazarenes and became friend to Peter Cornelius, Carl Philipp Fohr, Joseph Anton Koch and Johann Friedrich Overbeck.

In the summer of 1822 he returned to Trier settled there for ten years. In these years, he made many watercolours with views of the city and the Moselle. Sixteen of these watercolours formed the template for lithographs which he produced and published in 1825. In the spring of 1832 he went again to Italy, where he stayed until September 1842. In Italy, he produced landscapes and genre scenes, but his main activity was to copy frescoes and mosaics from the 13th-16th centuries.

Returning to Germany he became curator of the Wallraf collection in Cologne. In 1854 he made a pilgrimage to Jerusalem where he created many watercolours for later lithographs. In 1858 he became the first honorary citizen of his native town.

Fresco cycle in Urbino
Fresco cycle in Urbino by

Fresco cycle in Urbino

Ramboux’s drawings of the fresco cycle in the Oratory of San Giovanni Battista, Urbino, showing only the scenes on the west wall of the oratory, suggest that by the nineteenth century a large portion of the paintings on the east wall were no longer visible.

Rebecca and Eliezer at the Well
Rebecca and Eliezer at the Well by

Rebecca and Eliezer at the Well

Ramboux went to Rome in 1816 and joined there the Nazarene circle. He made extensive, documentarily important watercolours after early Italian painting in addition to collecting works from that period. His Rebecca and Eliezer at the Well has some of the delicacy of a Persian miniature, and of Ingres early Primitive style.

Scene after Piero della Francesca
Scene after Piero della Francesca by

Scene after Piero della Francesca

Ramboux’s watercolour of 1840 shows the scene of Constantine’s Victory over Maxentius from Piero della Francesca’s fresco cycle in the choir chapel of San Francesco in Arezzo.

Scene after Piero della Francesca
Scene after Piero della Francesca by

Scene after Piero della Francesca

Ramboux’s watercolour of 1840 shows the scene of Battle between Heraclius and Chosroes from Piero della Francesca’s fresco cycle in the choir chapel of San Francesco in Arezzo.

The Eberhard Brothers
The Eberhard Brothers by

The Eberhard Brothers

Franz and Konrad Eberhard were sculptors with whom Ramboux studied in Munich.

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