Vertumnus and Pomona

Pomona, the classical goddess of fruit, and Vertumnus, the god of transformation, are the main figures in an episode in Ovid’s Metamorphoses which is depicted here. Vertumnus enters Pomona’s grove in order to convince her of his love. Because she had always run away on previous occasions when he came, he has cunningly dressed as an old woman on this occasion. By telling her about the allegory of the grapevine and elm, he is able to convince her of the importance of togetherness, for the grapevine needs something it can climb up and the elm, when considered on its own, is useless. Persuaded, Pomona gives in to love and her innermost longings and they become a couple.

The work was painted by the Montpellier-born artist shortly before his departure for Spain, where he developed a successful, life-long career as a portrait painter. Ranc’s training as a portrait painter is certainly apparent in the delicate treatment of the faces of his subjects and, more so, in the exquisitely rendered fabrics. The painting is also significant for the manner in which it presents a mythological narrative and its moral subtext in an entirely contemporary manner, as indicated in Pomona’s radiant, silky dress and parasol.