Abduction of Ganymede

Catalogue number: Bredius 471.

Among the mythological subjects, the Abduction of Ganymede and the Danaë (1636, The Hermitage, St. Petersburg) are outstanding examples of Rembrandt’s sense of high-pitched drama and expressive chiaroscuro. Both these pictures, done on a monumental scale, are of extreme originality and uncompromising realism.

Ganymede was a shepherd, the son of Tros, a legendary king of Troy. His outstanding beauty caused Jupiter to fall in love with him. According to Ovid (Met. 10: 152-161) the god, having transformed himself into an eagle, carried the youth off to Olympus where he made him his cup-bearer. The myth, which is given in a slightly different version by Homer, found favour in ancient Greece because it appeared to provide religious sanction for homosexual love. The representation in Renaissance and later art shows Ganymede caught in the embrace of, or on the back of, the eagle which bears him upwards, its wings either spread in flight or enfolding the youth, its claws holding his limbs.