ROSSETTI, Biagio - b. 1447 Ferrara, d. 1516 Ferrara - WGA

ROSSETTI, Biagio

(b. 1447 Ferrara, d. 1516 Ferrara)

Italian architect and urbanist from Ferrara. A military engineer since 1483, and the ducal architect of Ercole I d’Este, in 1492 Rossetti was assigned the project of enlarging the city of Ferrara. He designed one of the most spectacular urban developments of the fifteenth century, the Addizione Erculea, the northern extension of the city that more than doubled its area, complete with the Piazza Nuova and the intersection of the Via Prione and Via degli Angeli. Rossetti himself designed four churches and eight palazzi, including the Palazzo dei Diamanti, so called because of the diamond-pointed rustication of its façades. In the Piazza Nuova he designed the Palazzo Rondinelli and the Palazzo Strozzi-Bevilacqua (both from 1494), with arcaded ground-floors. He also designed the Church of San Francesco in the old city (from 1494) on a plan based on Brunelleschi’s San Lorenzo, Florence, with a nave ceiling consisting of transverse arches supporting shallow domes on pendentives. In the Addizione he also designed the aisleless vaulted San Cristofero alla Certosa (from 1498).

Rossetti is considered the first architect in the history of urbanistics to make use of the advantages of the modern methods: balancing the humanistic principles in architecture, the real needs of the city, and local traditions. Beginning in 1492, he projected and directed construction of the defense walls around the city.

After Ercole’s death in 1505, Rossetti served the Cardinal Ippolito d’Este, in which role he was responsible for the creation of many notable palazzi and churches.

Detail of the exterior
Detail of the exterior by

Detail of the exterior

The Palazzo dei Diamanti (built between 1493 and 1567), is so called for the 8.500 diamond-faceted blocks that erupt from its fa�ades.

Exterior view
Exterior view by

Exterior view

San Francesco in Ferrara was built on a pre-existing building, already used by the Franciscans, in 1494, during the Erculean Addition patronized by Ercole I d’Este. The project is among the best achievements of Biagio Rossetti.

The fa�ade has typically Renaissance lines, with volutes, inspired by Leon Battista Alberti, and the marble pilasters that stand out on the walls. The interior with three naves has a Latin cross plan and eight chapels on each side.

View the ground plan of the church.

Interior view
Interior view by

Interior view

San Francesco in Ferrara was built on a pre-existing building, already used by the Franciscans, in 1494, during the Erculean Addition patronized by Ercole I d’Este. The project is among the best achievements of Biagio Rossetti.

The fa�ade has typically Renaissance lines, with volutes, inspired by Leon Battista Alberti, and the marble pilasters that stand out on the walls. The interior with three naves has a Latin cross plan and eight chapels on each side.

View the ground plan of the church.

Interior view
Interior view by

Interior view

San Francesco in Ferrara was built on a pre-existing building, already used by the Franciscans, in 1494, during the Erculean Addition patronized by Ercole I d’Este. The project is among the best achievements of Biagio Rossetti.

The fa�ade has typically Renaissance lines, with volutes, inspired by Leon Battista Alberti, and the marble pilasters that stand out on the walls. The interior with three naves has a Latin cross plan and eight chapels on each side.

View the ground plan of the church.

Palazzo dei Diamanti
Palazzo dei Diamanti by

Palazzo dei Diamanti

Ercole d’Este (1431-1505) created an entire district of classically inspired buildings along clear, straight avenues emanating directly from the Este palace compound at the centre of Ferrara. The Palazzo dei Diamanti was designed by the court architect Biagio Rossetti, who was responsible for the layout of the neighbourhood as well as for numerous churches and residences within it. The building subtly evokes the fortified character of the Este Castle in its raked plinth and insistent rustication. The corner from which the Este were both to admire their new straight streets and appear splendidly to their subjects, is accented with two lavishly carved, superimposed pilasters and a balcony.

Plan of Ferrara (detail)
Plan of Ferrara (detail) by

Plan of Ferrara (detail)

In 1492 Rossetti was assigned the project of enlarging the city of Ferrara. He designed one of the most spectacular urban developments of the fifteenth century, the Addizione Erculea, the northern extension of the city that more than doubled its area, complete with the Piazza Nuova and the intersection of the Via Prione and Via degli Angeli. Rossetti himself designed here four churches and eight palazzi, including the Palazzo dei Diamanti.

The Addizione Erculea (Erculean Addition) is celebrated as an example of Renaissance urban planning. The engraving by Andrea Bolsoni (1689-1760) from 1747 shows part of the plan and elevation of the city of Ferrara: the Addizione Erculea with the Piazza Nova in the centre.

Plan of Ferrara (detail)
Plan of Ferrara (detail) by

Plan of Ferrara (detail)

In 1492 Rossetti was assigned the project of enlarging the city of Ferrara. He designed one of the most spectacular urban developments of the fifteenth century, the Addizione Erculea, the northern extension of the city that more than doubled its area, complete with the Piazza Nuova and the intersection of the Via Prione and Via degli Angeli. Rossetti himself designed here four churches and eight palazzi, including the Palazzo dei Diamanti.

The Addizione Erculea (Erculean Addition) is celebrated as an example of Renaissance urban planning. The engraving by Andrea Bolsoni (1689-1760) from 1747 shows part of the plan and elevation of the city of Ferrara: the Addizione Erculea with the church and monastery of San Benedetto.

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