SALIMBENI, Ventura - b. 1568 Siena, d. 1613 Siena - WGA

SALIMBENI, Ventura

(b. 1568 Siena, d. 1613 Siena)

Italian painter, draughstman and engraver. The son of Arcangelo Salimbeni (active 1567-8089) and Battista Focari, widow of Eugenio Vanni, he was first taught painting in his native Siena by his father, as was his half-brother Francesco Vanni, with whom he was often confused. Ventura possibly spent some time in northern Italy before going to Rome, where he worked from 1588, collaborating on the fresco decoration of the Biblioteca Apostolica Vaticana (the Vatican Library) during the reign of Pope Sixtus V (reg 1585-90). Salimbeni’s painting during 1590-91, when he worked in Il Gesu and S Maria Maggiore, Rome, reflects the influence of the Cavaliere d’Arpino, Cherubino Alberti and Andrea Lilli. The few engravings that Salimbeni executed were made in Rome. Of these, seven survive, dated between 1589 and 1594.

In 1595 he returned to Siena where he became one of the last leaders of the Mannerist school, and completed painting cycles for Sienese churches such as Santa Trinità and Santo Spirito. He continued to create paintings for churches throughout Italy, including Assisi and Florence. For almost all of his painting cycles he first created detailed prepatory drawings.

Descent into Limbo
Descent into Limbo by

Descent into Limbo

The distinctive palette of soft hues of pink, yellow and purples is reminiscent of the colouring of Salimbeni’s fellow citizen Domenico Beccafumi, whilst the enduring influence of Giuseppe Cesari can be detected in the figure types, notably that of Eve in the immediate left foreground of the scene.

The painting is signed lower left: OPVS VENTURA SALIM.

Descent into Limbo (detail)
Descent into Limbo (detail) by

Descent into Limbo (detail)

St Catherine of Alexandria
St Catherine of Alexandria by

St Catherine of Alexandria

This signed and dated painting is a rare example of the painter’s activity as a portraitist. Salimbeni painted not only real portraits, he also depicted fictitious persons in a portrait-like manner. The painting representing St Catherine of Alexandria is of this latter type.

St Catherine of Alexandria (detail)
St Catherine of Alexandria (detail) by

St Catherine of Alexandria (detail)

The saint is rendered in an elegant, lyrical manner, rather than a realistic one.

The Annunciation
The Annunciation by

The Annunciation

Salimbeni was a late Mannerist follower of Federico Barocci, strongly influenced also by Beccafumi and the Roman Mannerist painters like Giuseppe Cesari.

The small panel representing the Annunciation was originally probably a book cover.

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