SAMBACH, Caspar Franz - b. 1715 Breslau, d. 1795 Wien - WGA

SAMBACH, Caspar Franz

(b. 1715 Breslau, d. 1795 Wien)

Austrian painter. He worked in Vienna from 1740 in the workshop of the sculptor Georg Raphael Donner. He trained as a historical painter at the Academy of Fine Arts in Vienna, becoming a member in 1759, a professor in 1762 and director in 1773. His fresco and altarpiece paintings were influenced by other Central European painters, the likes of Paul Troger, Michelangelo Unterberger and the younger Franz Anton Maulbertsch.

Sambach was a skilful ornamental artist and painted his own architecture; producing the figure inserts that imitate reliefs on his frescoes, as well as on his canvases depicting putti, making use of the methods learned from the works Donner. In Hungary, the high altar and ceiling frescoes, together with the altarpieces of the Jesuit church in Székesfehérvár (1749-50), preserve his early, relaxed style.

Sambach frequently painted mock low reliefs in the style of Marten Jozef Geeraerts (1707-1791) and Jacob de Wit. He executed frescoes in the Jesuit church of Stuhlweissenburg and an altarpiece in the church of the Franciscans in Comischa.

Allegory of Neptune and Mercury
Allegory of Neptune and Mercury by

Allegory of Neptune and Mercury

Children Bacchanal
Children Bacchanal by

Children Bacchanal

This grisaille painting, depicting putti with grapes, is one the artist’s canvases imitating reliefs.

Children Bacchanal
Children Bacchanal by

Children Bacchanal

This grisaille painting, depicting putti with a tiger, is one the artist’s canvases imitating reliefs.

St Charles Borromeo Administers the Sacrament to the Plague-Infected
St Charles Borromeo Administers the Sacrament to the Plague-Infected by

St Charles Borromeo Administers the Sacrament to the Plague-Infected

This oil sketch (bozzetto) is linked to one of Caspar Franz Sambach’s early works, the interior decoration of the parish church in Sloup, Moravia, a grand ensemble of magnificent frescoes and altarpieces, which were completed between 1751 and 1754. The Esztergom bozzetto, and a slightly larger and more complete version in Wroc³aw (Narodowe Museum, Wroc³aw), were produced for the side altarpiece dedicated to St Charles Borromeo. The composition follows Pierre Mignard’s painting for the high altar of the Church of San Carlo ai Catinari in Rome, probably by way of an intermediary engraving.

Charles Borromeo, the archbishop of Milan at the time of the great plague of 1576, fought heroically against the epidemic; following his canonisation in 1612, he was accorded reverence similar to that of the medieval plague saints. His cult outside Milan strengthened in Rome at first, and then, through Borromeo family connections in Salzburg, it grew further during the reign of Charles VI spreading throughout the Habsburg Empire.

St Charles Borromeo Conforms the Plague-Infected
St Charles Borromeo Conforms the Plague-Infected by

St Charles Borromeo Conforms the Plague-Infected

St Charles Borromeo Conforms the Plague-Infected (detail)
St Charles Borromeo Conforms the Plague-Infected (detail) by

St Charles Borromeo Conforms the Plague-Infected (detail)

The Death of St Joseph
The Death of St Joseph by

The Death of St Joseph

The Deposition
The Deposition by

The Deposition

Sambach studied under Raphael Donner in Vienna. In 1759, he was admitted to the Academy of Art, in Vienna, where he was appointed professor in 1762 and Head of the Department of Painting and Sculpture in 1779. He also exhibited a keen interest in mathematics and optics. In art, he was a promoter of Late Austrian Baroque and of the Rococo. After he had to give up sculpture, on grounds of ill health, he painted reproductions of relief carvings, his favourite models being Donner’s works.

Trompe-l'oeil painting
Trompe-l'oeil painting by

Trompe-l'oeil painting

This trompe-l’oeil painting, depicting the mourning of the dead Christ, imitates a stone relief.

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