SANDBY, Paul - b. ~1730 Nottingham, d. 1809 London - WGA

SANDBY, Paul

(b. ~1730 Nottingham, d. 1809 London)

English topographical watercolourist and graphic artist. He and his brother Thomas (1721-1798) trained at the Military Drawing Office of the Tower of London and were engaged as draughtsmen on the survey of the Highlands of Scotland after the rebellion of 1745. Paul went to live with his brother at Windsor Park, where Thomas held the position of Deputy Ranger (they did many views of Windsor and its environment, and the Royal Library at Windsor Castle has an outstanding Standby collection).

Their work is similar in many respects, but Paul was more versatile as well as a better artist, his work including lively figure subjects as well as an extensive range of landscape subjects. In his later work he often used body-colour (he also sometimes painted in oils) and he was the first professional artist in England to publish aquatints (1775). He was singled out by Gainsborough as the only contemporary English landscape artist who painted ‘real views from nature’ instead of artificial Picturesque compositions. Sandby has rather unjustifiable called the ‘father of watercolour art’, but certainly his distinction won prestige for the medium. He was a founder member of the Royal Academy and his brother was its first Professor of Architecture.

Cow-Girl in the Windsor Great Park
Cow-Girl in the Windsor Great Park by

Cow-Girl in the Windsor Great Park

Sandby was a popular and well-patronised watercolourist and became drawing-master to a number of wealthy amateurs. He was the first artist to use the acquatint process in England. He regularly undertook drawing expeditions to the picturesque parts of the kingdom, including Wales and the North of England.

The Laterna Magica
The Laterna Magica by

The Laterna Magica

British painters took an ironic and self-critical attitude to modern technology as Paul Sandby did in Laterna Magica. The contemporary passion for optical instruments, of which Britain was a leading producer, is referred to here, but the painter is also poking fun at the scientific achievements of the Enlightenment. So the pile of books before the canvas includes the name of Newton, which we shall encounter frequently in paintings of the period. It is no coincidence that the painter shows the projection on the screen in a drawing-room; this is, so to speak, an anticipation of the fact that photography would ultimately come to compete with painting.

View of Enniscorthy
View of Enniscorthy by

View of Enniscorthy

This picture depicts a view of Enniscorthy and the bridge, County Wexford, Ireland, with figures unloading a boat.

Enniscorthy is a small town in the north of County Wexford which grew up around the Castle which was crenellated by the Prendergast family in 1205, and which was the home of the poet Edmund Spencer in the 16th century. A Franciscan Friary was established on the riverbank to the south of the castle in 1459. The present bridge, seen in Sandby’s gouache, was constructed by the Oriel brothers in 1775, thus giving a terminus ante quem for the dating of the picture.

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