SANTOS, Reinaldo Manuel dos - b. 1731 Lisboa, d. 1789 Lisboa - WGA

SANTOS, Reinaldo Manuel dos

(b. 1731 Lisboa, d. 1789 Lisboa)

Portuguese architect and urban planner. He was apprenticed in the construction of the Palacio de Mafra. He later collaborated with Machado de Castro on the equestrian statue of José I raised in the Praça do Comércio in Lisbon. He worked on several new churches in Lisbon.

During the reign of Maria I, together with Mateus Vicente de Oliveira, he worked on the Basílica da Estrela in Lisbon. The church was incomplete at the time of de Oliveira’s death and work continued under the direction of dos Santos, who was responsible for much of the classical details of the church’s exterior.

Exterior view
Exterior view by

Exterior view

The greatest church built in the period following the Great Earthquake was the Basilica da Estrela. It was built in an exceptionally prominent position in Lisbon between 1779 and 1792 by Mateus Vicente de Oliveira and Reinaldo Manuel dos Santos. This massive domed building is a votive church endowed by Maria I on the occasion of the birth of an heir to the throne. It expresses all the pomp of the era of João V, it is, moreover a smaller version of the gigantic, monastic residence at Mafra, which was never completed. The majestic interior with its superb finishing makes it one of the great achievements of Portuguese art.

The church was incomplete at the time of de Oliveira’s death and work continued under the direction of dos Santos, who was responsible for much of the classical detail of the church’s exterior, but the blueprint of the church is credited to de Oliveira.

Interior view
Interior view by

Interior view

The greatest church built in the period following the Great Earthquake was the Basilica da Estrela. It was built in an exceptionally prominent position in Lisbon between 1779 and 1792 by Mateus Vicente de Oliveira and Reinaldo Manuel dos Santos. This massive domed building is a votive church endowed by Maria I on the occasion of the birth of an heir to the throne. It expresses all the pomp of the era of João V, it is, moreover a smaller version of the gigantic, monastic residence at Mafra, which was never completed. The majestic interior with its superb finishing makes it one of the great achievements of Portuguese art.

The church was incomplete at the time of de Oliveira’s death and work continued under the direction of Dos Santos, who was responsible for much of the classical details of the church’s exterior, but the blueprint of the church is credited to de Oliveira.

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